Little Women  
9/6/1986 - 
The Gulch Saloon, Keystone, CO  
VGRM676  

   Set 1-  
1. Lick the Tears (fades in) $$
2. Under the Lilacs
3. Farewell Francisco
4. Life's Just Bitchin'
5. Shampoo Crew [][]
6. The Grip
7. Breakfast At Lucille's
8. Criminals In My Closet
9. The Sweetest One **
10. Looking For a Few Good Men ^^
11. Sleeping With Soldiers /\/\
12. Shakey Pudding <><>
13. Scorpion Honey
14. Cuss Cuss **
15. Age Of Reason
16. Up From the Skies {}{}

   Set 2-  
1. tuning, intro, storytime
2. Zombie Butter @
3. EverybodyÂ´s Everything
4. Emma-Jean
5. Don't Look Back> #
6. Just My Imagination (Running Away With Me)>
7. Hearts Gone Blind ++

$$=w/ "dead flowers>every breath you take" raps
[][]=w/ "downtown" rap
@=w/ history lesson - 'dead Californians edition'
**=1st time played
^^=w/ "marines' hymn" rap
/\/\=w/ "military cadence ('airborne ranger')" rap
<><>=w/ "shake your hips" rap
{}{}=w/ "garden of eden" rap
#=w/ 'band intros' ending
++=w/ "frÃ¨re jacques" jam ending

Total: 2:49:52  

   raps/cover tunes & their corresponding artists:  
"dead flowers" - the Rolling Stones, artist;  Mick Jagger/Keith Richards, writers
"every breath you take" - the Police, artist;  Sting (Gordon Matthew Thomas Sumner), writer
"downtown" - Petula Clark, artist;  Anthony Peter Hatch, writer
"the sweetest one" - Genya Ravan, artist;  Joe Droukas, writer
"marines' hymn" - official hymn of the United States Marine Corps;  oldest official song in the United States Armed Forces;  
   Jacques Offenbach (adapted music from his 1867 work)/lyricist unknown, writers;  
   "couplets des deux hommes d'armes" - original version;  Ã‰mile Gabel & Paul Ginet, artist (1st performance 12/26/1867)
"military cadence ('airborne ranger')" - traditional call-&-response work song sung by military while running or marching;  
	writer unknown
"shake your hips" - Slim Harpo, artist (1st recording in February 1966);  James Moore ("Slim Harpo"), writer
"cuss cuss" - Lloyd Robinson, artist (1st release 1968);  Lloyd Robinson, writer
"up from the skies" - the Jimi Hendrix Experience, artist;  Jimi Hendrix, writer
"everybody's everything" - Santana, artist;  Carlos Santana/Milton Brown/Tyrone Moss, writers
"emma-jean" - Amazing Rhythm Aces, artist;  Russell Smith, writer
"don't look back" - the Temptations, artist (1st release on 9/30/1965);  Smokey Robinson/Ronald White, writers
"just my imagination (running away with me)" - the Temptations, artist (1st release on 1/14/1971);  
			Barrett Strong/Norman Whitfield, writers
"frÃ¨re jacques" - traditional nursery rhyme of French origin;  writer unknown

Jerry Joseph - guitar, vox, b.vox
Louis "Bam Bam" Butts, Jr. - bass
Geoff George - keys, b.vox
Greg "Wally" Freeman - percussion
Steve Smith - lead guitar, vox, b.vox
Brad Rosen - drums

Joe James - FOH sound
Jeff Herzog - stage monitors

Source: SBD > MC > WAV > FLAC
Kenwood Home Deck Analog Recording
Transfer: Nakamichi Cassette Deck 2 > KLH Dynamic Noise Filter > 
Creative Audigy 24/96 Digital Notebook Card > WAV > FLAC
Recording and Mastering by Hugh Taylor
--plus--dc offset, EQ, Balance, PD&Norm, VC, Sec.Balance, drop out fixes/fudges, some SBE fixes, CR, 
FR, RT, global phase correction (left was trailing), crossfades & info research by Bill Mulvey--2/2021.  

vanillag NOTES:  
--no encore on this evening
--gave this one an overhaul...tasty EQ (IMO) to bring out more delicious bass, pulled & stretched to get more vox & 
instruments in there & finally listened thru with detective ears to find & remove/fix any clicks, dropouts & countless 
analog cassette 'sound pinches' in one channel or the other, etc.  
--did a bunch to keep this thing in Balance, fixing sections when it would swing too heavy in one channel or the other
--phase-aligned the channels as the Right was a couple samples ahead of the Left (it made it difference)
--I successfully scubbed 1 big burst & 4 bits of minor feedback in Set 1...plus 4 bits of minor feedback in Set 2  
--At 5:35 into Set1t07 (after the tune is over), I applied a 1/2 second crossfade to cover a fade down & up (what was 
probably a cassette tape flip) to keep the listener's headspace in the show.  
--At 7:01 into Set1t12 (after the tune is over), I applied a 1 second crossfade to cover a fade down & up (what was 
probably a cassette tape flip) to keep the listener's headspace in the show.  
--At 5:40 into Set1t13 (after the tune is over), I applied a 1 second crossfade to cover the MC tape pause while nothing was 
happening & avoid the 'jumping' back in from the unpause.  
--At 13:02 into Set2t02 (after the tune is over), I applied a 1 second crossfade to cover a fade down & up (what was 
probably a cassette tape flip) to keep the listener's headspace in the show.  
--fixed a 1/2 second complete dropout in the Right channel of "EverybodyÂ´s Everything" by copying the Left onto it

https://www.jerryjoseph.com/
https://cosmosexschool.com/
https://www.facebook.com/jerryjosephmusic
https://twitter.com/JerryJosephNMF
https://www.instagram.com/jerryjosephofficial_/
https://open.spotify.com/artist/6Si6obxYS5yBJrdpZieVf3
https://www.youtube.com/channel/UCAAcjjItiUZSQJL6k2wAkwQ
https://www.discogs.com/artist/1633232-Little-Women-2

ffp:  
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