Grace Potter & The Nocturnals
2007-10-31
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O'Shaughnessy Aud.
College of St. Catherine
St. Paul, Mn

Opened for Gov't Mule
(The Holy Haunted House show)
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Taped by: dave kunath (o-canis) dpaulku@gmail.com 
Location: 15' ROC row K/27 ~7'^  
Mic Config: ORTF 
Source: Nak CM1000/CP-101 >BBee hypers>
	Oade T+mod UA5 (opti @16/48) > JB3 wav

Conversion: JB3 > sb1394 > Pc > Flac burn 
Format: 16-bit, 48 kHz 
Editing: Adobe Audition 1.0 (see Post Notes)
         CD-Wave (tracking & flac'n/6)
         Traders Little Helper (SBE check/repair)
********************************************************************** 
/ Please, help ensure live recordings remain easily accessible by supporting 
/ the musicians: Attend their shows, buy their studio releases, pick up
/ some merch and bring a new friend to this music next time it's played near / you.   
/
/ Spread the word
/
/   Thanks!                 
/                  http://www.gracepotter.com
/        
********************************************************************** 
The Band:

Grace Potter/Liger - Keys, Voc
Matt Burr/Lion Trainer - Drums
Bryan Dondero/The F'n Tooth Fairy - Bass
Scott Tournet/Neolithic Pimp Daddy - Guitar, voc


ONE DISC  [45:49]

01. /Tonight's The Night  [05:54]
02. Sinkin' Man  [05:25]
03. costume intros >  [01:28]
04. Mastermind  [05:03]
05. Treat Me Right  [07:46]
06. Come Together  [06:29]
07. If I Was From Paris  [04:59]
08. Watching You  [08:41]



Post NOTES 
(Only post processing noted below was applied to this material.)

Editing done in 16bit/48khz realm:
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 - Clip repair - early first set opening few seconds till levels were adjusted.

 - click & Pop reduction - Some "bad cable" spikes were repaired early seconds.

 - Fades - IN/out 

Resample/dithered to 16bit/44.1khz
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Random Notes:
-Photos courtesy of Sandra   http://picasaweb.google.com/cattail4
-Crowd was on the thin side at curtain time but eventually became respectable as set rolled on.
-Set opened behind the curtain... and on time which threw me off guard
so the first few seconds of ovation into the first tune are lost, hence the / on track one.
