moe.
Capitol Theatre
Port Chester, NY
11/9/2012

Neumann TLM-170 (hypercardoids behind soundboard) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0d (resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; clap scrubbing); Tracked in CDWav.

Set 1
1.  Rainshine *
2.  Don't Fuck With Flo ->
3.  Tubing The River Styx ->
4.  Shoot First
5.  The Bones Of Lazarus
6.  Jazz Wank ->
7.  Buster
8.  setbreak announce

Set 2
1.  crowd/tuning
2.  Smoke ->
3.  Threw It All Away
4.  Suck A Lemon
5.  Time Ed ->
6.  YOY ->
7.  Spine Of A Dog ->
8.  Time Ed ->
9.  Spine Of A Dog ->
10. Plane Crash
11. encore break
12. banter - announcements
13. messing around
14. Seat Of Pants
15. Zed Nought Z ->
16. ambient jam ->
17. Spaz Medicine ->
18. ambient jam ->
19. Zed Nought Z

* = First 2:43 of this track is patched in from Justin Marinoff's source: Neumann km184 (behind foh/dfc/ortf) > Sound Devices MP-2 > Edirol R-09HR (16/44)

I scrubbed about 100 nearby annoying claps from various points in this recording.

Note that there are a couple of moments in Time Ed, Spine Of A Dog, and Zed Nought Z where you can loudly hear some of the chatter between Steve Young and whoever was recording the moe. in a moement MP3 recordings -- calling out song titles.  Unfortunately there is nothing that can be done about this.  Since were set up behind Steve Young I believe that all recordings from this night will suffer from this issue.

(RANT ON)
Note that as opposed to my 4 earlier recordings from The Cap (The Roots, Bob Weir, Blues Traveler/Spin Doctors, and Umphreys McGee), this recording (and the one Phil & Friends recording I will post shortly) is far inferior.  It seems that each time I attend a show at The Cap, there are new, tougher rules and regulations which keep pushing the tapers into worse sounding positions and (now) only allow us to raise our stands about 5 feet in the air.  At this point I've about had enough with the venue and their incresingly restrictive rules.  Much as I love the venue itself, there's no point in going there if I can't make good recordings!
(RANT OFF)

Recorded, mastered, tracked, and posted by Scott Bernstein 11/26-28/2012