God Street Wine
Gramercy Theater
New York, NY
12/20/2013

Matrix: 2xNeumann TLM-170s (hypercards, 40' split on 2 mic stands flanking front edges of the soundboard area) + 2 SBD channels -> Sound Devices 744 (@24/96); Processing in SoundForge Pro 11.0 (4 channel time sync; mixdown at 64 bit float/96 khz; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 64 bit float->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; Tracked in CDWav.  IDv3 tagged in Tag&Rename 3.7.5.

Set 1
1.  pre-recorded band interviews *
2.  Electrocute ->
3.  Thirsty
4.  Brand New Pussycat ->
5.  Straight Line ->
6.  Baby Brother It's All Going By Too Fast ->
7.  guitar interlude ->
8.  Wendy
9.  Cheap Utah Blues ->
10. Fortress Of Solitude ->
11. Stone House

Set 2
1.  Light My Candles ->
2.  Epiphany ->
3.  Flame ->
4.  Imogene
5.  Diana ->
6.  Wall 
7.  banter - band intros / box set
8.  Henrietta
9.  Epilog ->
10. Hellfire +
11. encore break
12. banter - roughly speaking
13. Mantoloking Town


* = Outtakes footage from the Gots To Rewind documentary was played on a big screen onstage
+ = w/"Jingle Bells" jams from Bevo

I scrubbed 1 clap each from S2T6, S2T9, and one burst of feedback from S2T4

Recording, mixdown, mastering, tracking and tagging by Scott Bernstein (12/21-12/31/2013)

Thanks to Victor Cornette for the sweet soundboard patch and mixing.
Thanks to Bill "The Genius" Mulvey for the use of the SD744 for the weekend.