God Street Wine
Gramery Theatre
New York, NY
8/12/2017

Matrix: SBD + 20 foot split Neumann TLM170s(cardoid) in front corners of SBD area -> Sound Devices 744 (@24/96)

Mixdown: Soundforge Pro 11: 4 channel time sync, 4 channel mix down @ 64 bit float/96khz; clap/yell scrubbing; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 64 bit float -> 16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; Tracked in CDWav. IDv3 tagged in Tag&Rename 3.9.14.

Set 1
1.  crowd/tuning
2.  Oh Wonderful One
3.  The Ballroom ->
4.  Stone House
5.  God Street ->
6.  Epiphany
7.  Better Than You ->
8.  When She Go
9.  banter - new songs
10. St. Lucy's Day
11. Peanut Butter Jar
12. banter - setbreak announce

Set 2
1.  tuning
2.  Epilog 
3.  Nightingale
4.  When The Melody Plays
5.  Buttons And Leslie ->
6.  Wendy
7.  banter - New Jersey theme
8.  Fortress Of Solitide ->
9.  Get On The Train +
10. Red
11. Wall
12. After The Show
13. encore break
14. Diana ->
15. jam ->
16. Imogene ->
17. Hellfire ->
18. Borderline ->
19. Hellfire reprise ->
20. Borderline
21. thanks

NOTE I hand scrubbed 108 individual nearby loud claps from the audience tracks plus 2 loud yells

+ = w/"Turn On Your Lovelight" jam at 4:39 in track

Special thanks to Scott Brown for the use of his Sound Devices 744 recorder, Boris Lvovsky for the huge hand in helping me get set up in time, and to Michael Weiss for arranging for the soundboard access

Recorded, Mastered, Tracked, Tagged and posted by Scott Bernstein (8/13-19/2017)