Grateful Dead

June 24, 1983
Dane County Coliseum, 
Madison, WI
Sets I & II


- Set I -
d1t01 - Shakedown Street
d1t02 - tuning
d1t03 - Far From Me
d1t04 - Candyman
d1t05 - Little Red Rooster
d1t06 - Brown Eyed Women
d1t07 - Mama Tried ->
d1t08 - Mexicali Blues
d1t09 - Althea
d1t10 - Hell in a Bucket ->
d1t11 - Deal

- Set II -
d2t01 - Take a Step Back
d2t02 - Help on the Way ->
d2t03 - Slipknot! ->
d2t04 - Franklin's Tower ->
d2t05 - Lost Sailor ->
d2t06 - Saint of Circumstance ->
d2t07 - Rhythm Section Jam ->
d2t08 - Drums ->
d2t09 - Space ->
d2t10 - Truckin' ->
d2t11 - Morning Dew ->
d2t12 - Around & Around ->
d2t13 - Johnny B. Goode
	encore
d2t14 - Don't Ease Me In



Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6)
 
Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96

Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96

Checksum & tags created in xACT.

Patch Info:
- Source #11888 (Senn 421)
- s1t01; 01:18 - 01:38
- s1t02; all
- s1t03; start - 00:04
- s1t05; 06:18 - 06:36
- s1t11; 09:05 - end
- s2t08; 04:52 - end
- s2t09; start - 06:46
- s2t12; all
- s2t13; all
- s2t14; all 
- Source #135481 (unknown)
- s2t01; all
- s2t06; last 4.2 seconds
- s2t07; 00:00 - 00:56

Notes:
- normal bias cassettes
- cross fades applied to tape pauses when possible. 
- recording was on the boomy side so a lite high pass filter was applied.
- not sure what happens after Morning Dew, but the normal bias cassette goes abbynormal.
- one hell of a Franklin's, listen to the music play.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Grateful for:
- Robert Bryant's recording efforts.
- Charlie Miller's DSD transfer.
- George "Fingers" Bethke & Steve Hill for providing the patch material.


Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac files. 
If converted to wav during processing, all tags will be stripped, 
however audio data will remain unaffected. If you must 
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp or st5 to validate audio integrity.
Md5 values will change if tagging is altered.
(J.Noel  5 January 2017

gd83-06-24.s1t01.flac:639285ea0926e081925433ce49203248
gd83-06-24.s1t02.flac:80dcc24e9399acd65b870cffb9566e41
gd83-06-24.s1t03.flac:7f52d3f73dfb672793479a2a5f6a6b52
gd83-06-24.s1t04.flac:411b348fce6d55799b9981013eb29740
gd83-06-24.s1t05.flac:547d300bbda67aaab1b0a43dd5d2d73f
gd83-06-24.s1t06.flac:a9057dbb714b2cc952a20e3a56e1ed2f
gd83-06-24.s1t07.flac:26f6543b0792beb9a5662b64d959fd8b
gd83-06-24.s1t08.flac:27560b08e37195eb89f79eb87e326855
gd83-06-24.s1t09.flac:17b50447f37b9ff1ea1ae2a9f4f007be
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gd83-06-24.s2t05.flac:cdc2587d2bd22c1f7c8dab7a62bae8dc
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gd83-06-24.s2t12.flac:141520dbaa3f4d56803e2360d3db59ed
gd83-06-24.s2t13.flac:a0c036274e76e70df89c2e9b0f6f9741
gd83-06-24.s2t14.flac:37b96e7afd3f16dce7d903a913790784