Grateful Dead Frost Amphitheatre Stanford University Palo Alto, CA April 27, 1985 DTS-Audio-CD 5.1 Mix Disc 1 - Set 1 01 [02:56] Bill Graham Intro 02 [06:10] Dancing In The Streets > 03 [08:17] Bertha 04 [08:19] Little Red Rooster 05 [06:21] Brown Eyed Women 06 [04:51] My Brother Esau 07 [07:05] Ramble On Rose 08 [00:32] Let Phil Sing 09 [05:00] Tom Thumb's Blues > 10 [05:48] Cold Rain And Snow > 11 [07:05] The Music Never Stopped TT [62:30] Disc 2 - Set 2a 01 [12:32] Scarlet Begonias > 02 [09:04] Eyes Of The World > 03 [05:03] Goin' Down The Road Feeling Bad > 04 [06:51] Woman R Smarter > 05 [06:14] Drums > TT [51:11] Disc 3 - Set 2b 01 [06:14] Space > 02 [04:48] The Wheel > 03 [06:18] Truckin' > 04 [05:57] The Other One > 05 [05:57] Black Peter > 06 [03:39] Around And Around > 07 [05:25] One More Saturday Night Encore 08 [04:44] Keep Your Day Job 09 [00:49] Bill Graham Outro TT [46:21] --------------------------------------------------------- Source Info SBD SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN Transferred and Edited By Charlie Miller charliemiller87@earthlink.net AUD1 MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky. MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9. Transfer and mastering by C.Ladner. AUD2 MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR [aluminum core (Set II)] Mic Config: mics on T bar knee high pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave Editor > Flac Frontend (encoded@level 6) >FLAC16 Location: on the lawn, 25 feet from the stage, DFC Taper: Adam, Justin & Monica - Mark McCue Masters All cuts, fades and edits made in CEP 2.0, normalized to 100%. Sector boundaries verified with TLH. Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. Thanks to all the hard work from the folks mentioned above in their loving care getting these sources out. Thanks also to the Lossless Legs Community (www.shnflac.net) for getting me these 3 spectacular sources. Also a thanks for some of the images used in creation of the artwork. I found them years ago on the net and do not have anyway to properly credit. --------------------------------------------------------- Tech Notes FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch all of the sources. SF8.0 used to adjust the volume for the front, center, surround and LFE channels. SF8.0 was used for the EQ setting on all the sources post mixdown. Surcode CD Pro DTS was used to encode to DTS. - Mixed by dan@am-dig.com - FLAC conversion done 28-SEPT-2006 - Artwork at 300dpi by dan@am-dig.com - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2 Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2 Center Mono Mix -5db SBD DEQ'd Surround Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2 Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2 Sub/LFE Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2 --------------------------------------------------------- Notes After spending several months and likely more than 150 hrs on this project I rushed my way through this text file and the artwork. I just want to be done with it. Hopefully it will be acceptable and without too many typos or errors. The SBD has a strange sound characteristic that can be heard through the first few songs and then disappears. As Charlie Miller noted in his text file "sounds keeps improving as show progresses". Which is indeed true. The sound keeps cycling from normal to "overly bright". Could it be a bad Dolby encode or decode scenario? Only when you listening very critically. It does not subtract from these really great recordings and great show IMO. Both AUD recordings are very good. The Nak700 sounds like it was on a stand and doesn't have the close crowd feeling of a typical FOB. Some post-processing was obviously done to maximize the levels, which does cut down a bit on the dynamic range. The Senn 421 has a much rowdier feel with closer crowd, clapping and a good feel for a live show. All 3 sources had different stoppages between songs in the first set, most notably was during "Let Phil Sing". Here we had missing "crowd" material with no overlap. I employ several techniques, fades, crossfades, volume changes and "borrowing" crowd cheer from different parts of the same recording to fill in the sound and make the new recording flow uninterrupted. Take a listen to the first set, the missing material now flows smooth and is most likely undetectable. d1t01 "Bill Graham Intro" The first 20 seconds is entirely from the NAK700 source, then the Senn 421 source fades in and then finally the SBD also joins the mix. No music was missing. This is smooth and is most likely undetectable. d2t01 "Scarlet Begonias" The first 10 seconds is just the SBD and the NAK700 source, then the Senn 421 source fades in and also joins the mix. This is smooth and is most likely undetectable. d3t04 "The Other One" 36.334 seconds of "fake" patch was used to cover a missing part of the SBD source. Most likely a repeating musical portion from earlier in the song was used. In short, "The Other One" was patch with the very same "The Other One". This was a very tricky edit to find and remove. It is now patched with a matrix mix of AUD1 and AUD2 for 1:00.119 with 2 second crossfade on each. B/c this is a change in source it is detectable by the listener. d1t09 "Bill Graham Intro" is entirely from the NAK700 source. The mixdown of the AUD+AUD matrix mix was done a few db's lower than the from SBD+AUD matrix mix. In my experience louder rear channels is an undiserable effect. --------------------------------------------------------- Multitrack Mixdown Settings SET ONE SET TWO Front Matrix Front Matrix SBD -.5 SBD -1 AUD2 -7 AUD2 -7.5 Stereo Matrix Stereo Matrix SBD -1 SBD -1 AUD2 -5.5 AUD2 -6 Rear Matrix Rear Matrix AUD1 -4 AUD1 -4 AUD2 -9 AUD2 -9 Sub/LFE Matrix Sub/LFE Matrix SBD -7db SBD -7.5db AUD2 -5.5db AUD2 -6db --------------------------------------------------------- Editorial Comments This show is like a wearing my favorite slippers. Familiar and very comfortable. I first obtained this show in 1985 about 2 weeks after the show. I was a new 16 yr. old driver and was giving a "friend of a friend" a ride in my car. This guy was a pretty hard core hippie and he produced the cassette of the second set. I was floored. At the time, and considering my age, I had no idea anyone could get a copy of a show THAT fast. And what a show it is. Needless to say the next five years or so were spent wearing out that cassette. This show is most notable for the only "Scarlet > Eyes" but is loaded with great renditions, sick jamming and inspired playing. The first set songs are all played really well. The final Tom Thumb > Cold Rain > Music is fantastic. Phil is just out-of-hand throughout. 'Nuff said. This Scarlet is my favorite, period. A bold statement but one I can stand tall behind. Great long intro, nice middle of the song solo, they come around twice (I LOVE THAT!) before the Wind in The Willows but the ensuing jam towards Fire is inspired. Brent chasing Jerry, Brent chasing Bob. Jerry is traveling 100 miles an hour and the band is right behind. A real nice Fire tease and Jerry picks his moment to lead the gang into Eyes. WOW! Eyes is also full of spit and fire with too many acid laced licks to count. Even GDTRFB is fast paced and fun, with Woman still keeping your interest. Isn't that a change? Not the longest pre-drums, 40+ mins, but understandable as clearly Garcia needed to soak his hand in ice. Normally topping an all Garcia tri-fecta to opened set two, Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they do, beat it to death. The next 45+ mins is transcendental, perfect, seamless, inspired, rocking/soothing and any other accolade you can toss in for good measure. This time a new tri-fecta, Truckin' > Other One > Black Peter, takes center stage in the post drums part. Note by note, second by second the band just clicks. It reminds me of the type of playing they were capable of during 2/27-28, 3/1-2 when the band was just so in tune with each other and what they are doing. While clearly much different, take a listen. These guys are so tuned in to what each other is doing it is 6 as 1. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The SBD and both AUD sources listed above. 2. CD-Audio SBD+AUD Matrix Mix at 16/44 3. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44 4. DVD-Audio SBD+AUD Matrix Mix at 24/48 5. DVD-Audio 5.1 Surround Sound at 24/48 and 16/48 (Front & rear channel 24/48; Center & Sub/LFE 16/48) --------------------------------------------------------- FLAC fingerprint gd1985-04-27-dts-haugh-d1t01.flac:2c6fb4867bc02a6cdb6a17aab2942cc0 gd1985-04-27-dts-haugh-d1t02.flac:7edd18dcf469cb331f847ae7d51b29cb gd1985-04-27-dts-haugh-d1t03.flac:77aadcf6e2b054374dec5e88a638e33b gd1985-04-27-dts-haugh-d1t04.flac:129e829122f7d5f35691ef997ff49bfc gd1985-04-27-dts-haugh-d1t05.flac:3af79d805b79ec829e75b5318268b85b gd1985-04-27-dts-haugh-d1t06.flac:97c45c054add72f37d946aa58214a481 gd1985-04-27-dts-haugh-d1t07.flac:50f9b41da3ae4077ab3832edfa3c278b gd1985-04-27-dts-haugh-d1t08.flac:074080b3db7e4ca5e6c4288e4a10327b gd1985-04-27-dts-haugh-d1t09.flac:0be07d296b959a4c4e4b38564d1800b7 gd1985-04-27-dts-haugh-d1t10.flac:49ff3df91a0057ca0a96b264e0b8e0e9 gd1985-04-27-dts-haugh-d1t11.flac:725c8b82739ef158891c77684048ccbe gd1985-04-27-dts-haugh-d2t01.flac:024200798606f7d724225053b5fcd037 gd1985-04-27-dts-haugh-d2t02.flac:6077f546b005dd17b80c0dead87e5c0b gd1985-04-27-dts-haugh-d2t03.flac:6230bc9b624ec91baa50000f5a4a2c1b gd1985-04-27-dts-haugh-d2t04.flac:5e1e2814ce366affed42cb49f807becb gd1985-04-27-dts-haugh-d2t05.flac:c49dd2842fc38e4456b3de335d531bc9 gd1985-04-27-dts-haugh-d3t06.flac:5e1cbfe733442f20797c9af6ab4969b7 gd1985-04-27-dts-haugh-d3t07.flac:ed1207c878dfa53c19774ed1352efc7a gd1985-04-27-dts-haugh-d3t08.flac:3053a5e56a6d9218dbe7dfd1f8118448 gd1985-04-27-dts-haugh-d3t09.flac:b94421fc6d9968f7ee6f94147a103810 gd1985-04-27-dts-haugh-d3t10.flac:5e97e777daa9b5e926edcfbf43445e30 gd1985-04-27-dts-haugh-d3t11.flac:e57f1ab546644f6454fda352e249b5eb gd1985-04-27-dts-haugh-d3t12.flac:6900745664e509ee3f12b51d9b557dc7 gd1985-04-27-dts-haugh-d3t13.flac:27643ac9fc146c9c5787f49bcb8469a6 gd1985-04-27-dts-haugh-d3t14.flac:3ed36b5c8e56ce476a6cc8ae176ae279 --------------------------------------------------------- MD5 207225aacfbc2706112780cde2473ad1 *gd1985-04-27-dts-haugh-d1t01.flac 9f08a419054d7dc9391ca4a22e2d24b9 *gd1985-04-27-dts-haugh-d1t02.flac ae142d14f16bb0a6cbd4088722592941 *gd1985-04-27-dts-haugh-d1t03.flac 5c4d039a4bf1fc10641916727782a006 *gd1985-04-27-dts-haugh-d1t04.flac ac6dbf391f576f4aaa22fa6933cc6e85 *gd1985-04-27-dts-haugh-d1t05.flac d20bc75bd58e3ef91020e62438bea5cd *gd1985-04-27-dts-haugh-d1t06.flac 30f92d2b600dea5941b59946226b90c5 *gd1985-04-27-dts-haugh-d1t07.flac 3a32d72dc33d85034d05c50f2d1d171e *gd1985-04-27-dts-haugh-d1t08.flac 04f64f2e2b1207691f61ed2ed976ff81 *gd1985-04-27-dts-haugh-d1t09.flac f1d7172b0863b7e66b0f3c5f92834d31 *gd1985-04-27-dts-haugh-d1t10.flac ba13ac0de76ec8a124d176c15f18b5a7 *gd1985-04-27-dts-haugh-d1t11.flac 8b4a693e7c1e30d3ce11f6882686ebf0 *gd1985-04-27-dts-haugh-d2t01.flac 82b037d553361ba54ecda7551d5862d1 *gd1985-04-27-dts-haugh-d2t02.flac 61c762a7a40ee99ac656865ed63caba3 *gd1985-04-27-dts-haugh-d2t03.flac aa96667494038a10f69612b566e1f3f8 *gd1985-04-27-dts-haugh-d2t04.flac 32213b8a870eb11ff740b3339c7424e7 *gd1985-04-27-dts-haugh-d2t05.flac 1f6aac03b6ec522b33190954f65488ea *gd1985-04-27-dts-haugh-d3t06.flac b1920113dae948889ddcdc89e146bebf *gd1985-04-27-dts-haugh-d3t07.flac 8daa5cdef96d131d2c9b0d45e9e58b9c *gd1985-04-27-dts-haugh-d3t08.flac cb4a77e3a1971e5cc685f5e47a1c9449 *gd1985-04-27-dts-haugh-d3t09.flac eb47878d46a0490cfcdd1b6f282375c2 *gd1985-04-27-dts-haugh-d3t10.flac 472e03377de6dd8cc247efb850d026c3 *gd1985-04-27-dts-haugh-d3t11.flac 53bc478e1548b56e79ab83ad47b925b6 *gd1985-04-27-dts-haugh-d3t12.flac 1e14941182aef8cdc508282a32bb0508 *gd1985-04-27-dts-haugh-d3t13.flac e83a44204330786471afd819af1821d9 *gd1985-04-27-dts-haugh-d3t14.flac App\Http\Controllers\Api\FileDownloadController::download(): Return value must be of type string, none returned