Grateful Dead Madison Square Garden New York City, NY September 10, 1991 DVD-Audio 24/48 SBD+AUD Matrix Mix (65%-SBD/35%-AUD) Set 1 01 [03.01] Crowd & Tuning 02 [13.47] Shakedown Street > 03 [05.45] C.C. Rider > 04 [06.33] Lot To Laugh/Train To Cry 05 [07.09] Black Throated Wind 06 [09.09] High Time 07 [08.26] Cassidy 08 [09.25] Deal TT [63.19] Set 2 01 [01.47] Crowd & Tuning 02 [04.10] Help On The Way > 03 [07.01] Slipknot > 04 [10.18] Franklin's Tower 05 [12.41] Estimated Prophet > 06 [12.43] Dark Star > 07 [10.39] Drums > 08 [01.59] Jam > 09 [02.30] Dark Star > 10 [09.21] Space > 11 [05.04] I Need A Miracle > 12 [09.04] Standing On the Moon > 13 [09.20] Lovelight Encore: 14 [07.05] Baby Blue TT [01:43.52] Branford Marsalis on saxophone throughout --------------------------------------------------------- Source Info SBD (shnID = 89085) SBD Dat(2) stored on Ampex 467 DAT Tape Transfer: DAT from the collection of Todd Evans DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Transferred 12/09/07 Editing: All editing and mastering by Jamie Waddell A **GEMS** Production www.shnflac.net AUD (shnID = 96422) Recorded By: James Young and Clay Brennecke - clayb@fobdfc.com Lineage: Master DAT > B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008 Editing: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. A **GEMS** Production www.shnflac.net --------------------------------------------------------- Special Thanks Many thanks to James Young and Clay Brennecke for their wonderful recording. And HUGE thanks to both Jamie Waddell and Todd Evens for making this project possible with their amazing work on their pristine transfers and excellent editing/mastering. I am simply a cog in the wheel and lucky has hell to work with such incredible source material. It is the guys listed above that deserve the bulk of the credit. So a big THANK YOU! --------------------------------------------------------- Notes on the Source Material SBD This is another strange 1991 SBD. Let me explain. Quite a few digital SBD's for the 1991 year are in circulation. I am sure some of you have noticed a sorta strange sound quality to them. What makes them sound they way they do is unknown to me. I'd call them too digital. They tip- toe along the edge of blurry. If I had to guess I would think a portable DAT deck was being fed an analog signal into the line in. And although the levels were set appropriately the deck was overloaded by 'too hot' a feed from the SBD. AUD Nice and well balanced FOB. This upfront FOB grabs quite a bit of the sound but not as much atmosphere as you'd like for making a matrix mix. However, this does help the sterile, straight SBD out quite a bit. While it doesn't completely fix the strange "digitally" sound of the SBD it does help quite a bit. --------------------------------------------------------- Tech Notes Jamie Waddell sent me the 16/48 waves files as one long track for both the SBD and the AUD. CEP2.0 was used to align & synch both sources (time compress and expand). CEP2.0 was used to perform the multitrack mixdown at 24/48. Wave L3 was used for minor limiting (-0.7 threshold), and no EQ was used on the two primary sources. This is a 60% SBD, 40% AUD mix. - Mixed by dan@am-dig.com - FLAC conversion 18-MAR-2000 - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear, slim 7mm double DVD case. --------------------------------------------------------- Multitrack Mixdown Settings Stereo Matrix SET ONE SBD -2 AUD -2 SET TWO SBD -2 AUD -2.5 --------------------------------------------------------- Notes d1t06 "High Time" - 2 small digi snits have been fixed --------------------------------------------------------- About the 24/48 This represents the 24 bit files that are the result of all the editing, mastering, digital sound processing and the multitrack mixdown preserved in 24 bit. It is unclear exactly what we have in the way of high resolution. However what we have here would not be represented accurately in 16/44. What you are getting is the full result of the matrix mix process. How much different does this sound? is this better? A little and yes. This is more accurate and has more dynamic range. 24/48 resolution versus a 16/44 of the same material will usually result in very subtle but important differences. Most of it relying on the quality of the DVD-A player and the D to A conversion. With that in mind, this 24 bit copy is no different. Small but important gains over the same material in 16/44. This is just one man's take. Take it or leave it. --------------------------------------------------------- Lineup Jerry Garcia (guitar, vocals) Bob Weir (guitar, vocals) Phil Lesh (bass) Vince Welnick (keyboards, vocals) Bruce Hornsby (grand piano, according, vocals) Mickey Hart (drums, percussions) Bill Kreutzmann (drums, percussions) --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The SBD and AUD sources listed above at 16/44 2. The AUD sources listed above at 16/48 3. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44 4. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44 5. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48 6. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48) App\Http\Controllers\Api\FileDownloadController::download(): Return value must be of type string, none returned