Artist: Nohshintoh

Date: 2009-08-02

Location: Nagoya, Japan

Venue: KD Japon

Event: Sasachiko

Source: AUD
Studio Projects C4 (1cardoid, 1 omni: overhead; -6db hpf; -20db atten.) > 
Marantz PMD660 > 
Lexar 60x 4.0g Compact Flash > WAV16_48(0)

Lineage : 
WAV16_48(0) > usb > WAV(1) > 
Audacity 1.3.7.1 (48 > 441 resample > track split > +4db) > AIFF16/441(0) > 
shntool 3.0.8 fix > WAV16/441(0) > flac 1.1.1 -V -8 > FLAC16(0)


Set List:

trk: title [time]

01: Boochee Kee Lay [0:10.13]
02: Kooloo Kooloo Pah! [2:30.57]
03: Jump [6:57.31]
04: Soh Dess [0:20.66]
05: Ho Low Yo Dee [3:43.40]
06: Death To Roy [4:28.73]
07: Ee No Chee [7:46.47]
08: Standing and Staring Sasachi [1:09.21]
09: Penyo Penyo [2:38.64]
10: Oo Chee [2:42.54]
11: Beni [6:30.37]
12: Toh Lah Sahn [4:01.59]
13: Sasachiko [0:55.06]

Total time: [43:56.43]

Artist Note:

http://busaichedelic.org/nohshintoh
http://myspace.com/nohshintoh


Recording Note: 

This was an experimental overhead recording 
from the loft above the stage.
The height of the microphones was roughly 4 metres from the stage floor.
One cardoid mic was placed over the guitar,
roughly perpendicular to the floor
and about one meter in front of the amplifier.
The bass amp was placed next to the guitar amp
and a monitor wedge was next to the keyboard,
opposite the guitar and bass amps.
This was stage right. 
The standard Studio Projects T-bar was used.
The omni-directional mic was angled toward the center
where a large horn served as the main vocal projection.
This horn is roughly 50cm in diameter and was placed on a stand
at approximately 2 metres height, center stage.
The recording microphone was approximately 1 metre forward
and one metre stage right of the horn.
The drums were stage left, to the rear.
The steel pan drum was in front of the drum kit, 
stage left and the keyboard amp was further to the left
and in a corner where the stage left wall recedes a further 40cm
at a right angle.



Comment:

Brought to you by busaichedelic.org (aka BS Entertainment) :-)

Nohshintoh  reserve the right to sell or 
otherwise distribute any portions of this recording as they please. 

For those who know, you can ignore this,
those new to trading might be interested to read the following.
:-)

Feel free to pass it along, or trade,
Let's not make money off the artist without their involvement, ok?
Please include this info file with any further trades
if possible.
Transparency is peace-of-mind. :-)
Trading as FLAC preserves quality for those further down the line
Please add a CDR(N+1) generation to CDR you burn.
Note, the current lineage has no CDRs so if you've downloaded this
and burn it, that would be the master CDR, thus CDR(0)...
at least, that's how I'd do it. :-) peace

-S

