Grateful Dead
Sunday, May 1, 1977 
The Palladium, New York, N. Y. 

Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN:
Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > 
PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. 
Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.

Ending of Samson, 25:47 filler on CD2 & 20:10 filler on CD3 supplied by  
"Good Bear Source": Panasonic AM/FM Stereo 'boom box like' w/condenser 
mics) -> cass master -> computer -> CD > EAC > .SHN

.wavs originally circulated by Teddy "Good Bear", 1999. 



Set Two begins:
1. Dancin' in the Streets >	12:02
2. Brown-Eyed Women 		06:21
3. Beer Barrel Polka Tuning	02:37

Filler: 5-01-77 "Good Bear" source 

4.  	Samson and Delilah	25:47 
	Dancin' in the Streets
	Brown-Eyed Women
	Beer Barrel Polka Tuning

Disc Three:  72:11 
1. Playing in the Band>		11:36
2. Drums >			06:30
3. The Other One >		07:05
4. Comes a Time >		15:41
5. Playing in the Band	 	04:36

Encore: 
6. Brokedown Palace		06:27

Filler: 5-01-77 "Good Bear" source 
7. Comes a Time > 		20:10
	Playing in the Band





Teddy "Good Bear"'s mastering notes: 

1) > My computer using "CoolEdit96". 


2) "CoolEdit96" noise reduction, just to remove some of the hiss & a little 
background noise, (after "Get Noise Profile from Selection") - 

Noise Reduction Level = 6
FTP size = 8192
Number of statistical snapshots in profile = 96
Precision Factor = 10
Smoothing Amount = 1
Transition With = 0 db 


3) In "GoldWave" using "time warp" to slow down the fast** tape as follows: 

Under - New Speed or Length
Speed (only) = 0.930 

**batteries must have been low, Jerry & company sounded a touch like the 
"Chipmunks" on my masters. 


4) I then normalized, lowered and raised the volume where needed so the waveform 
was more uniform. In "CoolEdit96" I used the settings: 

Normalize to = 95% 
Normalize L/R Equally = check marked 
DC Bias Adjust = check marked & set to 0% 

5) And finally they still needed more noise reduction, (too much hiss on the test CDs), 
so I used "CoolEdit96" again: 

Noise Reduction Level = 4
FTP size = 8192
Number of statistical snapshots in profile = 96
Precision Factor = 10
Smoothing Amount = 1
Transition With = 0 db 

For the remainder: I used a DAT provided to me by: Robert "Blake" Gilpin.

Af:Cm>R>Sbm>D: which is loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > 
PCM R500 w/SBM > DAT @ 48 kHz > my computer* > DAT @ 44.1 kHz or CDRs. Originally taped 
by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.

*See below

To my computer from Sony PCM R300 DAT coaxial outputs > "Fiji" soundcard "S/PDIF" 
inputs @ 48 kHz > edited as follows:

1) > My computer using "CoolEdit96". 

2) In "GoldWave" using "echo" as follows: 

Delay(s) = 0.100
Volume (%) = 10
Reverb = unchecked


3) "GoldWave" equalizer:

60Hz = 3
150Hz = 4
400Hz = 4
1000Hz = 4
2400Hz = 3
6000Hz = 1
15kHz = 0


4) I then normalized, lowered and raised the volume where needed so the waveform was 
more uniform. In "GoldWave" I used the settings: 

Maximize = 0.700 

5) And finally I then converted 48 kHz to 44.1 kHz in "CoolEdit96". 


