Portugal. The Man
Brooklyn Bowl
Brooklyn, NY
1/20/2012

Neumann TLM-170 (hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; clap removal); Tracked in CDWav.

1. crowd
2. So American ->
3. Work All Day
4. The Devil ->
5. Helter Skelter ->
6. The Devil
7. AKA M80 the Wolf
8. The Woods
9. Head Is A Flame ->
10.All The Young Dudes ->
11.Elephants
12.Floating (Time Isn't Working My Side) (first try)
13.Floating (Time Isn't Working My Side)
14.All Your Light
15.1989
16.Do You ->
17.Everyone Is Golden
18.Got It All *
19.The Sun
20.Senseless
21.banter - a couple of days off in NYC
22.Sleep Forever
23.encore break, Brooklyn Bowl appreciation
24.And I
25.I'd Rather Go Blind -> ^
26.People Say

* = w/Brooklyn Bowl appreciation in intro
^ = tribute to Etta James who died on this day

I'm unsure exactly which tracks (but somewhere around Track 20, I think) Tiger Merritt and Travis Goodwin from the band Morning Teleportation sat in on percussion.

I scrubbed out some annoying loud claps by hand in Sound Forge:  T3(10 claps), T7(16); T16(5); T17(38), T19(4), T25(2), T26(11) for a total of 86 claps

Recorded, mastered, tracked and posted by Scott Bernstein 1/25-26/2011