Grateful Dead
Curtis Hixon Hall
Tampa, FL  12/19/73
ShnID: 126124

--Set I--
d1t101 - Remember your hippie training
d1t102 - Promised Land
d1t103 - Sugaree
d1t104 - tuning/audience
d1t105 - Mexicali Blues
d1t106 - tuning/audience
d1t107 - Dire Wolf
d1t108 - tuning/audience
d1t109 - Black Throated Wind
d1t110 - Candyman
d1t111 - Jack Straw
d1t112 - audience: they're smoking a joint
d1t113 - Big Railroad Blues
d1t114-  tuning/audience
d1t115 - Big River
d1t116 - audience
d1t117 - Here Comes Sunshine*
d1t118 - tuning/audience
d1t119 - El Paso
d1t120 - Ramble on Rose
d1t121 - tuning/audience: maybe another 25 minutes
d1t122 - Playing in the Band (21:15 or so minutes)**

--Set II--
d2t201 - tuning/audience
d2t202 - Mississippi Half-Step Uptown Toodeloo ->
d2t203 - Me & Bobby McGee
d2t204 - Row Jimmy
d2t205 - Weather Report Suite***
d2t206 - He's Gone ->
d2t207 - Truckin' ->
d2t208 - Nobody's Fault But Mine ->
d2t209 - Bass Solo/Jam**** ->
d2t210 - The Other One ->
d2t211 - Feedback/Space
d2t212 - Stella Blue ->
d2t213 - Around & Around*****
--Encore--
d2t214 - Casey Jones*****

Audience material from source B (almost entirely)
Set I
Source a= soundboard shnid 97361 (not pitch-corrected)
Source b= Dan McDonald (droncit) audience flat transfer of cassette masters
Source b transferred with Nakamichi BX-1 adapted for flat transfer; eq applied with Diamond Cut Forensics 8.


Notes:  I have put the longer audience, tuning, announcements, portions as separate tracks so that those who want the full
show will have that, while those who want only the music can eliminate those portions.  The single exception is the beginning of Weather Report Suite, 
which is announced as "for all you rowdies out there."  Occasionally, there is variation in the vocal location. This appears to be some sort of anomaly between what was
recorded through the 'soundboard' tape and what actually went through the speakers. 

Audience/tuning material from source B (almost entirely)

Dusborne did all the synchronization work.  Droncit is responsible for the overall mix and sound.
Designed to be played loud. If your speakers aren't able to handle the bass, please get new speakers.

Thanks to TDK for making tapes that can hold up well for 40 years.
Thanks to Craig of Diamond Cut for all the help with the theory and eq curves.
Thanks to my dad for the electronics tweaks.  87 and going strong!
Thanks to Dusborne for all the synchronization work.  Thanks to Mrs. Dusborne (Tina Usborne) for listening and offering opinions.
Thanks to Melinda B. (wherever you are) for help with the microphone/recorder and comments about Bob Weir's haircut.
Problems/Comments: droncit@yahoo.com



*last 7 minutes or so from source A only (rejoins during last vocal)
**about 16 seconds of the jam portion from Source B only.
***verse beginning "she comes from the town" source b only for about a minute
****source b only
*****almost all of Around & Around and all of Casey Jones are soundboard only