Grateful Dead Madison Square Garden New York, NY September 8, 1991 DTS-Audio-CD 5.1 Mix - 3 Source Mix Set 1 - Disc 1 01 [01:41] Crowd & Tuning 02 [06:38] Touch of Grey 03 [05:32] Greatest Story 04 [08:48] Loser 05 [09:24] Minglewood Blues 06 [07:23] Candyman 07 [05:25] Big River > 08 [09:25] Maggie's Farm 09 [09:27] Row Jimmy 10 [14:14] Let it Grow TT [78:03] Set 2 - Disc 2 01 [01:05] Crowd & Tuning 02 [07:59] Samson & Delilah 03 [14:22] Eyes of the World > 04 [07:17] Saint of Circumstance > 05 [09:02] Dark Star Jam > 06 [12:02] Drums > TT [51:51] Set 2 - Disc 3 01 [07:08] Space > 02 [09:38] The Other One > 03 [10:09] Wharf Rat > 04 [08:50] Good Lovin' Encore: 05 [05:35] Attics of My Life TT [41:24] Full Show TT [2hrs:51min:14.575sec] --------------------------------------------------------- Source Info SBD (shnID = 75772) DSBD > DAT > CDA Cleaned up copy of shnID=1069 by Darryl Hinko I cut out some repeat material between d2t06 Drums and d3t01 Space, the discs are now seamless. (Also: Removal of many, many pops.) shnID=1069 Seeded by jashley@deadacated.com AUD1 (shnID = 96398) FOB Digital Audience Recording The James Young & Clay Brennecke FOB Vault - clayb@fobdfc.com Lineage: Master DAT Recording Equipment: B&K 4011 110 ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Row R, Off Center Set 2 On Stand, Row R, On Aisle Recorded By: James Young and Clay Brennecke Transfer: 16/48k DAT Master > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans (todd@bluedakota.com) November 9, 2008 Editing and Mastering: Jamie Waddell (shnflac@gmail.com) Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC Frontend level 8 Tag & Rename for FLAC Meta-Tagging. AUD2 (shnID = 98392) Sennheiser ME-80's > Technics SV-MD1 from OTS DAT Master > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger --------------------------------------------------------- Special Thanks Many thanks to James Young and Clay Brennecke for their wonderful recording. Also thanks to Keith Litzenberger for his excellent recoding as well. Thanks to Jay Ashley and Darryl Hinko for their transfer and mastering/editing on the SBD source. And thanks to both Jamie Waddell and Todd Evens for their pristine transfers and excellent editing/mastering on the FOB. --------------------------------------------------------- Notes on the Source Material SBD (shnID = 75772) This is another strange 1991 SBD. Let me explain. Quite a few digital SBD's for the 1991 year are in circulation. I am sure some of you have noticed a sorta strange sound quality to them. What makes them sound they way they do is unknown to me. I'd call them too digital. They tip-toe along the edge of blurry. If I had to guess I would think a portable DAT deck was being fed an analog signal into the line in. And although the levels were set appropriately the deck was overloaded by 'too hot' a feed from the SBD. AUD1 (shnID = 96398) Nice and well balanced FOB. This upfront FOB grabs quite a bit of the sound but not as much atmosphere as you'd like for making a matrix mix. However, this does help the sterile, straight SBD out quite a bit. While it doesn't completely fix the strange "digitally" sound of the SBD it does help quite a bit. AUD2 (shnID = 98392) Another great sounding AUD. I love it when multiple source can be used to make a 5.1 and a stereo matrix. This doubles the options for the multichannel mixdown and also allows for more flexibility in the 5.1. Not just the standard SBD front and AUD in the rear. This also allows me to do high rez mixdown for each of the 6 channels as well as a high rez stereo mixdown of all 3 sources. --------------------------------------------------------- Tech Notes FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 was used for the EQ setting for the CTR and LFE channels. SF8.0was used to perform the hard limiting on the LFE channel. Surcode CD Pro DTS was used to encode to DTS. This incorporates 6 channels of DTS encoded 16/44 wave files. - Mixed by dan@am-dig.com - ISO created 05-MAY-2009 - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear, slim, double CD case. --------------------------------------------------------- DVD-Audio Info Front Left Channel SBD + AUD2 Matrix Right Channel SBD + AUD2 Matrix Center Mono Mix -5db SBD + AUD1 Matrix DEQ'd Surround Left Channel AUD1 + AUD2 Matrix -3db Right Channel AUD1 + AUD2 Matrix -3db Sub/LFE Mono Mix SBD + AUD1 Matrix DEQ'd + Hard Limiting -.07db --------------------------------------------------------- Multitrack Mixdown 5.1 Surround Front 75772_SBD -1db 98392_AUD2 -10db CTR (mono mix) 75772_SBD -1db 98392_AUD2 -10db CTR (mono mix) 75772_SBD -1db 98392_AUD2 -10db Rear 96398_AUD1 -4db 98392_AUD2 -10db --------------------------------------------------------- Notes d2t11 Gradual volume raised on Attics to +3db --------------------------------------------------------- Lineup Jerry Garcia (guitar, vocals) Bob Weir (guitar, vocals) Phil Lesh (bass) Vince Welnick (keyboards, vocals) Bruce Hornsby (grand piano, according, vocals) Mickey Hart (drums, percussions) Bill Kreutzmann (drums, percussions) --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The SBD both AUD sources listed above at 16/44 2. CD-Audio Stereo SBD+AUD1+AUD2 Matrix Mix at 16/44 3. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44 4. DVD-Audio Stereo SBD+AUD1+AUD2 Matrix Mix at 24/48 5. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48) App\Http\Controllers\Api\FileDownloadController::download(): Return value must be of type string, none returned