Mike Doughty
Beachland Ballroom
Cleveland, OH
November 13, 2011

High Quality Multi-Channel SBD mix recording > Unknown mastering/transfer process > FLAC trade 
fileset (whole discs, with no edits) > WaveLab 6 (complete wav fileset testing and alignment, 
set all track edit points and DR testing with log) > FLAC (level 8, align on sector boundaries, 
fileset titles named using standard archiving nomenclature and are fully tagged)

Setlist:

Disc 1
00 pre-show music and intro
01 (I Keep On) Rising Up
02 27 Jennifers
03 Tremendous Brunettes
04 Strike The Motion
05 Rational Man
06 Yes And Also Yes... I want you to hear my music
07 American Car
08 I care too much to play "Firetruck"
09 Into The Un
10 Down On The River By The Sugar Plant
11 Lorna Zauberberg
12 song requests
13 Day By Day By
14 sexy Cleveland and this hi-fi recording to steal

Disc 2
15 Na Na Nothing
16 Russell
17 Busting Up A Starbucks
18 Vegetable
19 I Just Want The Girl In The Blue Dress To Keep On Dancing
20 fake last song explanation
21 Ossining
22 Looking At The World From The Bottom Of A Well
23 encore pause
24 I Hear The Bells
25 Put It Down / Pleasure On Credit


Musicians:
Mike Doughty - guitar, vocals 
Andrew "Scrap" Livingston - bass, vocals 
"Handsome" Dan Chen - keyboards, vocals
"Indiana" Pete Wilhoit - drums, vocals 


Links:
http://www.mikedoughty.com/
http://www.myspace.com/mikedoughty
http://www.facebook.com/mikedoughty
http://twitter.com/Mike_Doughty_

Visit with Mike at the above links, go to his phenomenal live shows and get his incredible releases; 
be sure to always strongly support musicians who give so much to their fans!!

You can also get lots of great show recordings online at LMA - http://www.archive.org/details/etree


Notes:
Mike Doughty first came to prominence as the leader of the band Soul Coughing then did an abrupt 
sonic left turn, much to the surprise of his audience, transforming into a solo performer of stark, 
dusky, but strangely hopeful tunes. He battled addiction, gave up fame when his old band was at the 
height of its popularity, drove thousands of miles, alone, across America, with just an acoustic 
guitar. His candid, hilarious, self-lacerating memoir, The Book of Drugs (due out in January 2012) 
- featuring cameos by Redman, Ani DiFranco, the late Jeff Buckley, and others - is the story of his 
band's rise and bitter collapse, the haunted and darkly comical life of addiction, and the perhaps 
even weirder world of recovery.


THINGS MIKE DOUGHTY WOULD LIKE YOU TO KNOW ABOUT HIS NEW ALBUM YES AND ALSO YES:

The title, YES AND ALSO YES was the headline of my profile on an online dating site. I improvised it 
off the top of my head, because they wouldn't let me post until I wrote a headline. I was wretchedly 
unsuccessful at online dating.
The single, "Na Na Nothing", was partially stolen from a song written by Nikki Sixx, Dan Wilson 
(wrote "Closing Time"), and Matt Gerrard (wrote a bunch of tunes in "High School Musical.") (I got 
their permission to steal it).
"Holiday," a Christmas song, is a duet with Rosanne Cash. I did a show with her, and she said, 
onstage, "I feel nervous playing my new songs, because Mike Doughty is here, and he's such a great 
songwriter." That BLEW MY MIND.
The song "Into The Un" was written for, and rejected by the Twilight soundtrack. (It's about goth 
kids on LSD in a train station).
I recorded it in a studio in Koreatown, Manhattan, from July '10 to April '11. Pat Dillett produced. 
Notable musicians included my trusty factotum Andrew "Scrap" Livingston on bass, and the pianist 
Thomas Bartlett, aka Doveman, who basically plays with everbody who's groovy (Justin Bond, Antony 
and the Johnsons, Glen Hansard, the National, David Byrne, Yoko Ono). I'm releasing it on my own 
label, SNACK BAR, through Megaforce. I split with Dave Matthews' label ATO so I could run my own 
shop and have more control, business-wise.
I wrote most of the songs at the legendary artists' colony Yaddo, where Leonard Bernstein, Aaron 
Copland, James Baldwin, Truman Capote, Flannery O'Connor, Carson McCullers, Sylvia Plath, and a lot 
of other all-time giants worked. It was founded by a railroad tycoon's wife, in her mansion, built 
in the 1890s. They put up artists for a month or two, feed them in an opulent dining room, and give 
them space and time to work.
I used a capsule of the antidepressant duloxetine as a percussion instrument on some tracks. I held 
the tiny pill between my thumb and forefinger, put it close to the mic and shook it so it made a 
shcka-shcka-shcka! sound.
I wrote a book about my ugly, drug-doing years called THE BOOK OF DRUGS. It's coming out in 2012 on 
Da Capo/Perseus.
The song "Makelloser Mann" is in German.
I play a Chinese lute (called a zhong ruan) on the song "Telegenic Exes, #1"
In the liner notes, I say I exclusively wear Paul Smith suits and Sol Moscot eyeglasses, and eat only 
Gummi Bears made by Haribo. I did this because I hope they'll send me free stuff.