Grateful Dead Madison Square Garden New York, NY September 16, 1991 DTS-Audio-CD 5.1 Mix Set 1 - Disc 1 01 Crowd and Tuning 02 Feel Like A Stranger 03 Bertha 04 Minglewood Blues 05 Must Have Been The Roses 06 Dire Wolf 07 Queen Jane 08 West LA Fadeaway 09 Music Never Stopped 10 Don't Ease Set 2 - Disc 2 01 Crowd and Tuning 02 Mississippi 1/2 Step > 03 St Of Circumstance > 04 Comes A Time > 05 Uncle John's Band > 06 Drums > Set 2 - Disc 3 01 Space > 02 Goin' Down The Road > 03 Attics Of My Life > 04 Good Lovin' Encore 05 Johnny B. Goode Full Show TT [2hr:44min:07sec] --------------------------------------------------------- Source Info SBD (shnID = 525) SBD > DAT > CD > EAC > SHN; Via A. Kowalski AUD (shnID = 97389) FOB Digital Audience Recording The James Young & Clay Brennecke FOB Vault - clayb@fobdfc.com Lineage: Master DAT Recording Equipment: B&K 4011 110 ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16/48k DAT Master > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans (todd@bluedakota.com) November 9, 2008 Editing and Mastering: Jamie Waddell (shnflac@gmail.com) Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC Frontend level 8 Tag & Rename for FLAC Meta-Tagging. A **GEMS** Production www.shnflac.net --------------------------------------------------------- Patch Info - 10 seconds of Bertha AUD (shnID = 94246) Sennheiser ME-80 > Technics SV-MD1 DAT Master > Tascam DA-30 > Sound Devices 702 > Wavelab 5(Fades, Sample Rate Conversion) > CDWAV > FLAC Recorded/Transferred/Uploaded Keith Litzenberger --------------------------------------------------------- Special Thanks Many thanks to James Young and Clay Brennecke for their wonderful recording. Thanks to A. Kowalski for their transfer on the SBD source. Thanks to Keith Litzenberger for another excellent AUD used for the patch in Bertha. And thanks to both Jamie Waddell and Todd Evens for their pristine transfers and excellent editing mastering on the FOB. --------------------------------------------------------- Notes on the Source Material SBD (shnID = 525) It is shocking that this is still the only shnID for this show as it is so old. However, it is likely until now, a better source could not be located. It is noted that this source, like all in circulation, has a small amount of digi-fuzz and a dropout at the start of Bertha. My original DAT had the same problem so I belive that is indeed true. This is another strange 1991 SBD. Let me explain. Quite a few digital SBD's for the 1991 year are in circulation. I am sure some of you have noticed a sorta strange sound quality to them. What makes them sound they way they do is unknown to me. I'd call them too digital. They tip-toe along the edge of blurry. If I had to guess I would think a portable DAT deck was being fed an analog signal into the line in. And although the levels were set appropriately the deck was overloaded by 'too hot' a feed from the SBD. AUD (shnID = 97389) Nice and well balanced FOB. This upfront FOB grabs quite a bit of the sound from the PA with just enough atmosphere you like for making a matrix mix. While it doesn't completely fix the strange "digitally" sound of the SBD it does help quite a bit. --------------------------------------------------------- Tech Notes FLACs decoded and Wavemerge was used to reassemble the entire show back to 1 long wave. CEP2.0 was used to align & synch all of the sources. SF8.0 was used for the EQ setting on the LFE and CTR channels. SF8.0 used to adjust the volume for the center, surround and LFE channels. SF8.0 used to adjust the volume for the center, surround and LFE channels. SF8.0 was used to perform the hard limiting on the LFE channel. Surcode CD Pro DTS was used to encode to DTS. This incorporates 6 channels of DTS encoded 16/44 wave files. - Mixed by dan@am-dig.com - FLAC conversion 28-JUNE-2009 - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear, slim, double CD case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mono Mixdown Left/Right -5db D'EQ SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mono Mixdown Left/Right -3db D'EQ SBD --------------------------------------------------------- Notes Entire show (and all disc changes) are seamless and can be played start to finish without inturruption. d1t01 "Tuning" Is mostly from the AUD source. Crossfades to the SBD just a few seconds before the first song. d1t03 "Bertha" Small amount of Dig Fuzz was patch using a matrix mix of shnID 97389 & 94246. This was then EQed, levels adjusted and crossfaded with the SBD to make the source change transistion as smooth as possible. This patch came out excellent and is in no way distracting. --------------------------------------------------------- Lineup Jerry Garcia (guitar, vocals) Bob Weir (guitar, vocals) Phil Lesh (bass) Vince Welnick (keyboards, vocals) Bruce Hornsby (grand piano, according, vocals) Mickey Hart (drums, percussions) Bill Kreutzmann (drums, percussions) --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The SBD both AUD sources listed above at 16/44 2. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44 3. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44 4. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48 5. DVD-Audio 5.1 Surround Sound at 16/44 (6 channel x 16/44) App\Http\Controllers\Api\FileDownloadController::download(): Return value must be of type string, none returned