Dave Alvin and the Acoustic Guilty Men

January 10, 2004

The Neighborhood Church
Neighborhood Unitarian Universalist Church of Pasadena
Pasadena Ca

Dave Alvin, lead guitar, vox
Brantley Kearns, fiddle
Rick Shea, guitars
Chris Gaffney, accordian, guitar, vox
Greg Liese, slide, steel pedal, dobro, guitar
Chrisite McWilson



Disc 1: 
1 Rachel 3:34 
2 (Please Welcome) 0:28 
3 Blackjack David 6:55 
4 (Last Year) 0:25 
5 Dry River 5:24 
6 Rio Grande 5:08 
7 Black Sky 4:59 
8 (Christmas) 1:01 
9 Nine Volt Heart 5:16 
10 Ashgrove 6:53 
11 Abilene 10:19 
12 Everett Ruess 5:41 
13 Trouble Bound 4:07 
14 (intro: Christy McWilson) 1:23 
15 805 3:52 
16 Justine 4:10 

Disc 2: 
1 Don't Mean Nothin' To You? 5:43 
2 Outro 10:11 
3 King of California 5:12 
4 Fourth of July 5:37 
5 What Did The Deep Sea Say 6:08 
6 Make Me A Pallet On Your Floor 9:56

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The opening act, I See Hawks in LA, can be found here:
http://www.archive.org/details/iseehawksinla2004-01-10

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Ambient master by Mike French 
ADK A51TL's hypers *kindaDIN > Canare 50' quads > Grace Lunatec V3 > Sony PCM-M1
*see notes below

lineage:
dat master > tascam cdrw700 master cd recorder
then:
master cd extraction via xACT 
sbe ok confirmed by xACT fix SBE
FLAC by xACT at level 8

d_alvin2004-01-10d1t01.flac:af76a880743cfc4c4f361b29ecbbcacc
d_alvin2004-01-10d1t02.flac:4f35401fc80e10824c0b8adb5fe300e1
d_alvin2004-01-10d1t03.flac:9c7049923a30d253514600d9907ce696
d_alvin2004-01-10d1t04.flac:918b541858b476c198c53ee86c5f5873
d_alvin2004-01-10d1t05.flac:9f15a6a95439f5631838c5c66342f25b
d_alvin2004-01-10d1t06.flac:370132c9f6fe1474b4e6267fc67c9cb8
d_alvin2004-01-10d1t07.flac:54f532456df6685d1ca2d7d2ecd955c6
d_alvin2004-01-10d1t08.flac:a12c8f0d8ef5d4a7e76934510029e07f
d_alvin2004-01-10d1t09.flac:e2ac2096676f607958ca73a67b5f1133
d_alvin2004-01-10d1t10.flac:ddf91d3cfe5b78d5ced07533a7eea16c
d_alvin2004-01-10d1t11.flac:80672ea991a6c468579d2bc297c5011f
d_alvin2004-01-10d1t12.flac:5210e4a3734b5add6f2c1e50919c149d
d_alvin2004-01-10d1t13.flac:4b6601af8aa1718a2832a986ce915a61
d_alvin2004-01-10d1t14.flac:a8d11afb97c9750f71f9da98e6c62c2f
d_alvin2004-01-10d1t15.flac:05eacdc36e75f6fbe007dfb3b35d824b
d_alvin2004-01-10d1t16.flac:494f118a616a6a1cf0093d8d00d0c6bd

dave_alvin_2004-01-10d2t01.flac:d0291542972f1456c418a928e31b3a49
dave_alvin_2004-01-10d2t02.flac:375963ad11019d6da3c9ba5191806e59
dave_alvin_2004-01-10d2t03.flac:a907fb5977e2ae91df8b4beca74446aa
dave_alvin_2004-01-10d2t04.flac:005ed15a4a9c49f3eea8da9c4143edef
dave_alvin_2004-01-10d2t05.flac:4418982cdd2a84f609037159b57cf2f7
dave_alvin_2004-01-10d2t06.flac:84b408c9756dfabbc2230d4d9640c9d5


g33ky tapir ramblings, and techie stuff:

*kindaDIN stereo (made up on the fly) is 17cm spacing, with the left mic at 45º left axis, right mic at -5º left-axis to avoid the dominant right pa stack in that part of the room. Sort of like this, \=o=|   but with the right mic just slightly "aimed" to the left, by just a shade (-5º left-axis of right mic). The left mic was focused to a point 3/4 across the stage at stage amps. The right mic was focused on Dave Alvin and Brantley Kearns. It sounds better than it appears on paper!
From 1st row, slightly right of center. 
Mic suspended over audience from a horizontal mic stand that was parallel to and over the first row audience, horizontally reaching back towards the stage center. This was because the promoter did not want a mic stand on the floor, despite the bands approval of the recordings (both bands), except at the rear of the room. So I suspended the mics from an indoor craftsmen style arbor, over first row, near stage center. The arbor construction hid the mics from rearward view, and exposed them to the stage, and the promoter was happy (so was the tapir).

