Karl Denson's Tiny Universe
Brooklyn Bowl
Brooklyn, NY
9/11/2009

Neumann TLM-170(cardoid, FOB)->Sound Devices 722(@24/96).  FLAC File processing in SoundForge Audio Studio 9.0d (Peak Level Normalize to 0db then resample to 44.1 with interpolation accuracy 4, anti-alias filter then 24->16 bit highpass triangular dither with high pass contour noise shaping); Tracked in CDWav.

Set 1
1.  tuning/intro
2.  Steamed Water
3.  Shake It Out
4.  banter - album release party
5.  Brother's Keeper Pt. 1 ->
6.  Brother's Keeper Pt. 2
7.  banter - inviting out Ron Johnson
8.  Front Money
9.  I've Got A Groovy Thing
10. Bag Of Funk
11. banter
12. Cool Is Back
13. Oranges (w/Photocharity.net plea)
14. The Mighty Mighty Rebel

Set 2
1.  banter - moment of slience for 9/11
2.  Make It A Cosmopolitan
3.  Fallen
4.  Can't Help It
5.  Galaxy
6.  Funky Song
7.  banter 
8.  Expressions
9.  Where It Counts
10. banter - new CD, 1st night avail. anywhere -> One Rock Don't Make A Boulder
11. Can You Feel It?
12. drum solo ->
13. Slow Down NYC
14. encore break/banter/happy birthday to Shannon
15. Flute Down
16. thanks

Note:  Ron Johnson & Chris Stillwell (Greyboy Allstars bassist) swapped off on bass over the course of the night for various songs (I didn't note who played on which songs).

I had a problem with my SD722 during the first set.  It experienced a hard-drive issue at approx 31:54 into the 1st set but eventually corrected itself by 45:58 (32:20 - 46:19 in the orig. file).  Luckily, the 722 did not stop passing its signal onto patchers. So, to repair the resulting wav file, I got the file from Jeff Pollack who took an analog patch from my mini line out with his Edirol R09.  His recording was made at 24/48.  To splice, I upsampled his 48k file to 96, matched the volume to mine as best I could, found the splice points, and cut the 14 minutes from his file into mine.  You should not be able to hear the splice at all as I was able to match the splice points perfectly.

Recorded, mastered, and tracked by Scott Bernstein