Robert Hunter
November 26, 1990
Warfield Theater, 
San Francisco, CA
Set I & II

From The Ammons Archive

John Ammons & Rob Darroch FOB* Recording:
B&K 4011's (110Âº ORTF) > Neumann Power Supply > DAT 48k (Panasonic SV255). Mics on stand 1 foot above crowd, last row of orchestra pit, center. 

John Ammons Transfer:
from clone of Rob's master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave.

Edited & Mastered by Joe Noel
Wave > Audacity > Flac 16/48
August 04, 2018

- Set I -
s1t01 - The Wheel ->
s1t02 - End of the Road ->
s1t03 - The Wheel
s1t04 - Silvio
s1t05 - New Speedway Boogie
s1t06 - Jack Straw
s1t07 - Rum Runners
s1t08 - Talkin' Money Tree ->
s1t09 - Yellow Moon
s1t10 - Deal
s1t11 - Standing on the Moon

- Set II -
s2t01 - banter
s2t02 - Uncle John's Band
s2t03 - Tiger Rose
s2t04 - Brown Eyed Women
s2t06 - Franklin's Tower
s2t07 - Box of Rain
s2t08 - Mr Charlie
s2t09 - another direct box bites the dust
s2t10 - Ugliest Girl in the World ->
s2t10 - Easy Wind
s2t11 - Stella Blue
s2t12 - Mountains of the Moon
s2t13 - Rubin & Cherise
s2t14 - Mohamed Abu Beckah Omar William Long-hale Hing Ching Loueastess Dead Head Change Your Password & One I Forgot
s2t15 - Terrapin Station
	encore
s2t16 - Promontory Rider ->
s2t17 - Ripple
s2t18 - Boys in the Barroom

Notes:
- Thanks to John for sharing his pristine DAT
- Recording location is directly underneath the drink rail
- Otherwise know as the sweet spot.
- Mountains of the Moon w/ Tom Constanten on piano
- Thanks to Omar for sharing his full name.

Amended:
- Look what the closet offered up.
- If you down loaded this back in May ('18), all you need are tracks 15-18 & the housekeeping files

* Rob and I got into the show, just after the doors open, and see tables set up on the floor.  So we figure back table of the floor, just underneath the now famous "drink rail", would be the ideal spot to grab.  Lo and behold, a 50s-ish couple is already sitting there (virtually no one else was in the venue yet). Behind their table was a microphone stand, and atop the stand was a binaural head!  It's clear that for whatever reason they both have VIP status and permission to record the performance.  So of course we strike up a conversation with them.  As it turns out, the woman is a piano student of Tom Constanten, and there's a grand piano set up on the stage. TC is going to sit in with Hunter, and based on their relationship with TC they've been granted recording privileges.  Wow! Thoughts are immediately racing through our minds: we need to make it appear we are all there together, such that we can tape out in the open as well, and we need to get our mics on their stand.  Fortunately, after showing them our B&K mics, Schoeps t-bar, and DAT recorder, we were able to establish sufficient street cred that they agreed to let us use their stand.  But, since we were planning to hand hold the mics on the t-bar, we had no clamp to make this conveniently happen. We had a roll of tape, or maybe they did, so we were able to painstakingly tape the t-bar to their stand, just underneath the binaural head, carefully aligning the t-bar so it was properly oriented to the stage.   - John.

Checksum & tags created in xACT

Tagging notes:
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[J.Noel 04 August 2018]

;flac fingerprints generated by xACT 2.46 on 2018-08-05 04:51:39 +0000

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