John Mayer
20 February 2022
Madison Square Garden
New York, New York

Recorded by: Christopher Jones <jones.chris@gmail.com>
Source: 4.0 Surround / Quadraphonic (4-channel LPCM)

Lf / Rf: DPA d:dicateª 4011ER (handmatched MMC 4011 cardioid and MMP-ER preamplifier) > Sonosax SX-R4+ (non-U.S. version with unconstrained headroom; @ 24-bit / 96 kHz)

Lr / Rr: Schoeps CMC1L4V (handmatched MK4V cardioid and CMC1L preamplifier) > Sonosax SX-R4+ (non-U.S. version with unconstrained headroom; @ 24-bit / 96 kHz)

Location: Section C; microphones elevated approximately 2.5 meters, A-B  
SD > .flac: SD Card > Apple 14" Macbook Pro (Apple M1 Max / 32GB RAM) > Avid Pro Tools Ultimate v. 2021.12.0 > xACT v2.50

t01 Introduction  						02:17.22
t02 Last Train Home 						04:27.31
t03 Shot In The Dark  						05:10.55
t04 Intro To...  						01:02.63
t05 Belief 							05:16.65
t06 Something Like Olivia  					03:28.09
t07 I Guess I Just Feel Like  					07:25.27
t08 Who Says  							03:49.57
t09 Rosie 							06:44.74
t10 Shouldn't Matter But It Does  				04:42.54
t11 Helpless  							10:14.19
t12 Your Body Is A Wonderland  					05:05.56
t13 I Don't Trust Myself (With Loving You)  			06:21.89
t14 Wild Blue 							06:19.11
t15 Edge Of Desire  						07:00.44
t16 'Til The Right One Comes 					04:00.47
t17 (The Beautiful Ones #) >  					01:27.29
t18 Slow Dancing In A Burning Room  				11:06.49
t19 New Light  							04:12.84
t20 Waiting On The World To Change  				04:41.17
t21 "Thank You..."  						03:41.50
t22 All I Want Is To Be With You  				06:42.13
---
t23 Intro To...  						00:53.91
t24 Gravity  							10:16.32

() Indicates a tease or partial song if not part of a song with a parenthetical subtitle
#  Prince cover
>  Indicates a segue into the next song

Notes:

Lr / Rr channels derived from second main microphone pair (Schoeps MK4V); rear ambience imputed using impulse response of large arena in Altiverb 7, tailored to sound similar to dedicated rear channels recorded at Madison Square Garden by me in the recent past.

Compiled by Christopher Jones <jones.chris@gmail.com> 18 March 2022.