========================================
Grateful Dead
01-26-93
Oakland Coliseum
Oakland, CA
========================================


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SOURCE/SET-UP
------------------
AKG 460/CK8's (2' spacing on custom T-Bar) > 
Marantz PMD-700 > 
(clone) DA-P20


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TAPER(S)
------------------
Scott Swayne and Carl S.


------------------
TRANSFER
------------------
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)

By Scott Swayne (AltheasBoy) in 06/2007


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TRACK LIST (by set)
------------------
s1t01	tuning
s1t02	Picasso Moon
s1t03	Row Jimmy
s1t04	Wang Dang Doodle
s1t05	Brown-Eyed Women
s1t06	Desolation Row
s1t07	Ramble On Rose
s1t08	Promised Land

s2t01	tuning
s2t02	Women Are Smarter >
s2t03	Eyes Of The World >
s2t04	Estimated Prophet >
s2t05	Terrapin Station >
s2t06	Jam >
s2t07	Drums** >
s2t08	Space >
s2t09	Jam* >
s2t10	The Other One* >
s2t11	Stella Blue* >
s2t12	Lovelight*
s2t13	crowd
s2t14	(e) Gloria*


* with Carlos Santana ** Dragon Parade

My at-the-show notes indicate some PA issues during 'Women' and 'Eyes,' most apparent in ' Women'in the form of a slight low-end resonance. This gets resolved.  


------------------
ABOUT THIS SOURCE
------------------
This is the 48k version. 
Down-sampling to 44.1k required for burning to audio CD. 
The 44.1k version was also seeded for this source.

I went through all of my Oakland OTS tapes, and decided to seed this one. There's something about this show I really dig (the space actually).

Trust and believe, some really crappy Oakland tapes were made (since they sounded like they were recorded from inside the crapper). I don't think this is one of them, but make no mistake, FOB's of shows at this venue are what you want when it's said-and-done.

Those of us who stuck to the OTS could be divided into to groups... whose who tried to make the best of a bad taping section, and those who were just fine making their tapes up towards the nosebleed end of this wretched OTS.  

I was in the first group. Our mics were on the flont rail of the section. We would've used some unsuspecting show-go-er to extend our mics out over this rail if we could've been certain the 30' foot drop to the concrete below wouldn't have injured them too bad... :) 

Like I said, this recording is not FOB, but it's no echoey-boomy-muddy turd, either. I feel it's superior to that which is currently available on the LMA, especially with headphones on. Since we were running an extra-wide custom T-Bar, (about 2 feet from mic-to-mic), we were able to get better separation, about as good as you could do in the taping section without overdoing it and getting an unnatural-sounding image. 

Take it for what it's worth. FOB's will materialize someday.


------------------
FFP
------------------
gd93-01-26s1t01.flac:4cddd2dfccfa749a90bc495747cea8bf
gd93-01-26s1t02.flac:78a728070d001202c4c91e89a360ac82
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gd93-01-26s1t04.flac:736bfd10bb94d2685db09f26decedcfe
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gd93-01-26s2t01.flac:33568d19ae3013915907b01fc973dbfe
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gd93-01-26s2t10.flac:eccdae0e8b0a12a8d4ab344ede085e7e
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gd93-01-26s2t14.flac:3c272729b3fa5bb6e846fe32ea235aa2


------------------
MD5
------------------
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