Old Salt Union
â€œGrass After Darkâ€
Winter Wondergrass Tahoe
Hacienda del Lago
Tahoe City, CA
05-APRIL-2018

Tracks 4 & 5 w/ Bridgette Law

https://archive.org/details/OldSaltUnion&tab=about

Recorded By: RasBobre
https://www.facebook.com/rasbobrerecordings
https://archive.org/details/@rasbobre

Mic Location: AKG C414 XL II (Cardioid, 20 cm) @ SBD, 25 Feet, Center  > SBD Behringer X32  > Zoom Handy H6 > Audacity

FOH: John Riley

**24bit, not intended for CD Burning**
* A Devildogs Production Show *

About Old Salt Union;

A great band is more than the proverbial sum of its parts, and in the pursuit of becoming something that can cut through the clutter of YouTube stars and contest show runner-ups, a great roots music band must become a way of life. Less likely to rely on production or image, theyâ€™ve got to connect with their audience only through the craftsmanship of their songs, the energy they channel on the stage and the story that brings them together.

Old Salt Union is a string band founded by a horticulturist, cultivated by classically trained musicians, and fueled by a vocalist/bass player who is also a hip-hop producer with a fondness for the Four Freshmen. It is this collision of styles and musical vocabularies that informs their fresh approach to bluegrass and gives them an electric live performance vibe that seems to pull more from Vaudeville than the front porch.

In 2015 they won the FreshGrass Band contest and found the perfect collaborator in Compass Records co-founder and GRAMMY winning banjoist and composer, Alison Brown, whose attention to detail and high standards pushed the group to develop their influences from beyond a vocabulary to pull from during improvisation and into the foundation of something truly compelling in the roots music landscape.

Violinist John Brighton mentions some names familiar to the Compass roster as key influences, musicians like Darol Anger, Edgar Meyer, Mike Marshall and Mark Oâ€™Connor, all of whom have collaborated with Brown in the past. Primary vocalist and bassist, Jesse Farrar (for the indie rock heads - yes, heâ€™s related â€“ Son Volt front man Jay Farrar is Jesseâ€™s uncle) brings an alternative rock spirit as well as his unique formative experiences as a hip hop producer and bass player for a national tour of The Four Freshmen. The bandâ€™s self-titled Compass debut combines these instrumental proclivities with pop melodies and harmonies into a coherent piece of work that carves out a road-less-travelled for the band in the now crowded roots music genre.

The album kicks off with a nod to alternative rock sensibilities â€“ a deconstructed symphonic drone creeps in slowly, while Farrar emerges through the atmospherics to deliver the first lines â€œStranded on a lonely road/Trying to find my way back home/A dollar and a broken heart/Didnâ€™t seem to get me very farâ€. His words are followed by a dramatic moment of silence (a trick often used in hip hop) that quickly launches into â€œWhere I Standâ€, a hard-driving bluegrass track that gets moving so powerfully you almost donâ€™t notice the layer of angelic harmonies flowing consistently underneath.

Mandolinist Justin Wallace takes over lead vocal duties for the second track â€œFeel My Loveâ€ as well as a version of Paul Simonâ€™s â€œYou Can Call Me Alâ€. He pops up again on his composition â€œOn My Wayâ€ and his no-frills, approachable voice is the perfect complement to Farrarâ€™s more gymnastic style. The two work together beautifully on the Wallace-penned, â€œHard Lineâ€. Wallace is further showcased on the discâ€™s lone instrumental â€œFlatt Baroqueâ€, composed by Brighton, who joins him in some twin mandolin, and itâ€™s this more contemplative moment on the album where the listener hears him reaching to be in perfect sync with his bandmate, that best reflects Wallaceâ€™s role in the evolution story of the band. If Farrar has emerged as the heartbeat, then Wallace is the soul.

Perhaps most surprisingly, the band was founded by banjoist Ryan Murphey, the aforementioned horticulturist who came to bluegrass music and the banjo later in life. Finding a kindred spirit in Dustin Eiskant, the bandâ€™s former guitarist and Farrarâ€™s cousin, the pair started the band in 2012 and Murphey played the banjo and led the bandâ€™s business through its early incarnations, including the recruitment of Farrar in 2014.

When Eiskant quit in 2016, just as the bandâ€™s already impressive trajectory seemed to be taking a significant step forward, Murphey and the band were able to reset, adding guitarist Rob Kindle to the lineup. Kindle brings a bluegrass foundation from his early exposure to the music as a child in family settings, as well as a degree in jazz performance to the mix.

Though the band had established themselves as a growing festival act with performances at LouFest, Stagecoach Festival, Bluegrass Underground, Winter Wondergrass, Freshgrass, Wakarusa, Yonder Mountain String Band's Harvest Festival, and the 2014 Daytona 500, it was their breakout track on Spotify, â€œMadam Plumâ€ that seemed to amplify awareness of the band beyond the bluegrass bubble.

Of working with the band in the studio, producer Brown says, â€œThese post modern bluegrassers are true renegades. While they look like a bluegrass band, their musical sensibilities run much deeper and broader, borrowing as much from indie rock and jazz fusion as from Bill Monroe. And, even more exciting to me, they know no fear! They are wide open musical adventurers and we had a great time experimenting in the studio at the crossroads of these disparate influences.â€

The most unexpected but possibly most fascinating song on the album is a ballad entitled â€œBought and Soldâ€. Its earnest beauty is balanced with a youthful inventiveness that leaves a solemn mark on the listener who might wake up at the end of it thinking, â€œWhat just happened?â€.

At this point, the future of the band seems marvelously unclear. The album closes with â€œHere and Off My Mindâ€ which seems like the bluegrass song that Conor Oberst never wrote featuring a lyric that ends with the promise of â€œa better lifeâ€ though from the all-hands-on-deck jam session that breaks out in the middle (is that a kazoo?) one gets the sense that the band canâ€™t imagine a better one than they have in the beat up Winnebago they currently call home.

Old Salt Unionâ€™s self-titled new album will be released August 4th.

PRESS CONTACT
Christina Dunkley
Compass Records
615-320-7672
christina@compassrecords.com

GENERAL MANAGER
Bryan Lipman - Bryan@OldSaltUnion.com

BOOKING AGENT
Mike Kaiz at Blue Sun Entertainment
312.399.3143 / booking@oldsaltunion.com

Old Salt Union is;

Jesse Farrar - Upright Bass, Vocals
John Brighton - Fiddle
Rob Kindle - Guitar
Justin Wallace - Mandolin
Ryan Murphey - Banjo

Please support musicians that are open to having their live shows recorded and shared by attending their performances and purchasing officially released recordings and other merchandise.

https://www.oldsaltunion.com/home
https://www.facebook.com/OldSaltUnion/
https://soundcloud.com/OldSaltUnion
