Dave Matthews & Tim Reynolds 
Galliard Auditorium 
Charleston, SC 
February 12, 1999 

Taper:      Unknown 
Source Info:    DAUD -> ??? -> CD 

Conversion: Adam Nelson (nelso222@msu.edu) 

CD > flac:  EAC (secure mode, all tracks 100%) -> WAV -> flac frontend (level 6) 
Tracks split using CD Wave v1.93.3 


                          ******************** 
                          PRESERVE THE QUALITY 
                          DO NOT ENCODE TO MP3 
                          ******************** 


Track  |      Name            |  Time (m:s) 
------------------------------------------------------------------ 
d1t01 Intro                           06:26 
d1t02 Crush                           12:41 
d1t03 The Stone                       10:06 
d1t04 Best Of What's Around           07:53 
d1t05 Say Goodbye                     08:38 
d1t06 Tripping Billies                07:24 
d1t07 One Sweet World                 06:56 
d1t08 Stay                            04:51 

d2t01 Two Step                        10:43 
d2t02 Bartender ->                    03:24 
d2t03 Don't Drink The Water           07:30 
d2t04 Tim Solo (unknown) *            07:22 
d2t05 Spoon                           06:36 
d2t06 Jimi Thing ->                   06:44 
d2t07 What Will Become Of Me ->       03:14 
d2t08 Pantala Naga Pampa              04:04 
d2t09 Too Much                        06:53 
d2t10 All Along The Watchtower        09:38 

d3t01 Tim Solo (unknown) *            06:34 
d3t02 Lie In Our Graves               07:29 
d3t03 #41                             07:16 
d3t04 Dancing Nancies                 07:36 
d3t05 E: Crash Into Me                05:17 
d3t06 E: Warehouse                    08:18 


NOTES: 
---------- 
* = Tim Solo 

This one sounds pretty good, but the crowd is loud at times (especially 
between or at the start of songs) and there is a little clipping. 

This show is either a true DAUD with microphones that have a frequency 
rage <16kHz, or it has been compresed with a high quality algorithm 
(ie. 320kbps .mp3). This is based on a look at the frequency analysis 
which shows a very clean drop of frequencies at 16kHz with no random 
spikes between 16kHz and 20kHz. 

These rare older shows have been collected and converted through a 
collaborative effort to get them into circulation. Sometimes these shows 
do not have the best sound quality (and maybe that's why they aren't 
circulated much to begin with), but people should have access to them. 

Thanks to John Thielking for the CD source used for the conversion. 

Compiled By Adam Nelson on January 10, 2007 