Grateful Dead
Winterland Arena,
San Francisco, CA 
12/31/78

DTS-Audio-CD 5.1 Mix 

Set 1:
d1t01 - Happy New Year
d1t02 - Sugar Magnolia >
d1t03 - Scarlet Begonias >
d1t04 - Fire On The Mountain
d1t05 - Uncle Bobo Tuning
d1t06 - Me And My Uncle >
d1t07 - Big River
d1t08 - Friend Of The Devil
d1t09 - It's All Over Now
d1t10 - Stagger Lee
d2t01 - From The Heart Of Me >
d2t02 - Sunshine Daydream

Set 2:
d2t03 - Tuning
d2t04 - Samson And Delilah
d2t05 - Ramble On Rose
d2t06 - I Need A Miracle >
d2t07 - Terrapin Station >
d2t08 - Playing In The Band >
d3t01 - Drums >
d3t02 - Not Fade Away >
d3t03 - Around And Around

Set 3:
d4t01 - Tuning
d4t02 - Dark Star >
d4t03 - The Other One >
d4t04 - Dark Star Jam >
d4t05 - Wharf Rat >
d4t06 - Saint Stephen >
d4t07 - Good Lovin'

Encore
d4t08 - Tuning
d4t09 - Casey Jones >
d4t10 - Johnny B. Goode
d4t11 - And We Bid You Good Night

Audio Source Information
SBD (shnid=1791)

SBD>>MR>>PCM>>DAT>>CDA - Sound A+  Show A+
(*) First Three Tracks and Patches Are:
FMMR(TANDBERG-TD20ASE)>>SONY(SBM-1)>>CDA(TASCAM-CDRW700)

AUD (shnid=106102)
MOTB Release: 0130 24/96
Release Date: 2010-02-15
Band: Grateful Dead
Date: 1978-12-31 (Sunday)
Venue: Winterland
Location: San Francisco, CA
Analog Audience Source: FOB Master Cassettes (MAC)
Medium Stock Brands: MAC = 3 x Maxell UDXL-II
Analog Lineage: 2 x AKG D224E >> Sony TC-158SD Â >> MAC
Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped By: Rheinhart Holwein
Transfer By: Bob Menke
Mastering By: David Minches and Derek McCabe

Notes:Pitch correction by Joe B. Jones
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 06-MAR-2010
---------------------------------------------------------
Audio Patches:

1) At the beginning of Set 1 before Sugar Magnolia, 2 minutes and 48.339 seconds were missing from the Soundboard source and was filled in with audio from the Audience source.

2) Between Fire On The Mountain and Me And My Uncle, 17.969 seconds were missing from the Audience source and was filled in with audio from the Soundboard source.

3) Also between Fire On The Mountain and Me And My Uncle, 10.870 seconds were missing from the Soundboard source and was filled in with audio from the Audience source.

4) Also between Fire On The Mountain and Me And My Uncle, 16.457 seconds were missing from the Soundboard source and was filled in with audio from the Audience source.

5) Also between Fire On The Mountain and Me And My Uncle, 39.995 seconds were missing from the Soundboard source and was filled in with audio from the Audience source.

6) Between Big River and Friend Of The Devil, 20.943 seconds were missing from the Soundboard source and was filled in with audio from the Audience source.

7) Between Friend Of The Devil and All Over Now, 14.692 seconds were missing from the Soundboard source and was filled in with audio from the Audience source.

8) Between All Over Now and Stagger Lee, 56.780 seconds were missing from the Soundboard source and was filled in with audio from the Audience source.

9) Also between All Over Now and Stagger Lee, 54.739 seconds were missing from the Audience source and was filled in with audio from the Soundboard source.

8) Between Stagger Lee and From The Heart Of Me, 21.431 seconds were missing from the Soundboard source and was filled in with audio from the Audience source. This is part of the tunning that ends disk 1 with From The Heart Of Me being the first song on disk 2.

9) Between Sunshine Daydream and Samson And Delilah, 11.348 seconds were missing from the Audience source and was filled in with audio from the Soundboard source.

10) Between Samson And Delilah and Ramble On Rose, 01.120 seconds were missing from the Audience source and was filled in with audio from the Soundboard source.

11) 2 minutes and 28 seconds into Drums, 12.109 seconds were missing from the Audience source and was filled in with audio from the Soundboard source.

12) 7 minutes and 28 seconds into Good Lovin', 10.256 seconds were missing from the Audience source and was filled in with audio from the Soundboard source.

13) Between Good Lovin' and Casey Jones, 1 minute and 00.235 seconds were missing from the Audience source and was filled in with audio from the Soundboard source.

14) Also between Good Lovin' and Casey Jones, 53.525 seconds were missing from the Soundboard source and was filled in with audio from the Audience source.

15) Also between Good Lovin' and Casey Jones, 37.635 seconds were missing from the Audience source and was filled in with audio from the Soundboard source.

16) Also between Good Lovin' and Casey Jones, 55.679 seconds were missing from the Audience source and was filled in with audio from the Soundboard source.

17) NOTE: The MOTB Audience came in 24/96 format while the Soundboard came as 16/44 format. Using R8brain Pro, the Soundboard was expanded to 24/96. After matrix was mixed, R8Brain Pro was used to reduce matrix to cd compatible 16/44.

18) Matrix\DTS were synced using the MOTB Audience as a reference as it's pitch had been verified by Joe B Jones. The soundboard matching almost exactly with the audience with it being just slightly fast for disk 1-3 and then a shade slow for disk 4.

19) A debt of gratitude to Bob Menke for making the amazing audience of this show available without which a matrix/dts could not have been done.
-----------------------------------------------------------
Front  
Left Channel -0db SBD
Right Channel -0db SBD

Center
Mixed to mono -1db SBD

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production
