New Riders of the Purple Sage
Friday, July 28th, 1978
Star Theater-in-the-Round
Nanuet, New York

Source - Analog Master Audience Cassette:  Maxell UDXLII-90
         Mics:  Nakamichi CM-100's w/ CP-1 Cardioid capsules
         Record Deck:  Nakamichi 550

Digitized @ 44/16 via IDT Hi-Def Audio Codec and SoundForge

SoundForge was also used for fades in & out where the master was cut - no lost
music, but it was pretty damn close sometimes.  This was maybe the 3rd live show
I ever recorded, so cut a guy some slack.  :)

Also tracked (on whole second boundaries - sbes?! WHAT sbes????) in SoundForge.
Encoded to flac (level 6) via TLH.  (To be clear ... I DID check for sbes ...
there were none to correct.  Thanx for demonstrating that I in my attempt
to be snide, I did not make that point clear, Noah.)

I don't waste time with CDs anymore (making the whole sector boundary thing
irrelevant to me, y'know), so I'll let y'all figure out where to divide discs
yourselves.  The tape flip was between Rancher's Daughter & Red Hot Women,
and the tune indicated below as filler was at the end of Side A of my
cassette.  More about that below ...

Recorded 7/28/78, digitized and processed 2/23-25/2010, by mstaggerlee

New Riders of the Purple Sage
-----------------------------
John "Marmaduke" Dawson - Rhythm Guitar, Vocals, Harmonica
"Doctor" David Nelson - Lead Guitar, Vocals
Bobby "Blue" Black - Pedal Steel Guitar
Alan Kemp - Bass
Patrick Shannahan - Drums

 1) I Don't Know You
 2) 15 Days Under the Hood
 3) Little Old Lady
 4) "T" for Texas
 5) Lonesome L. A. Cowboy
 6) You Lied
 7) New Minglewood Blues
 8) Henry
 9) Jasper
10) The Cowboy & the Rancher's Daughter
11) Red Hot Women & Ice Cold Beer
12) Sunshine, Showers & Desert Flowers
13) Teardrops in my Eyes
14) Stolen Angel
15) Froggy Went A'Courtin'
16) You Never Can Tell
17) Glendale Train
18) Introductions
19) Dead Flowers
20) Panama Red

Filler - Giant's Stadium, 9/2/78
--------------------------------
21) Pocololo Man

NRPS opening for Willie Nelson & the Grateful Dead - with the above exception,
to my vague recollection, all tunes in the 9/2 set had also been performed at
this show (7/28/78), which was a far superior recording.  So, it seems that
this was was all that I chose to keep from my master of the 9/2 NRPS set,
that it must be 1st gen. copy, and that I had more room for ir at the end of
Side A of my 7/28 master than on Side B.
