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Trey Anastasio Band
Terminal 5
New York, NY
2/22/2011

Neumann TLM-170 (hypercardoids, rear of main floor at front left corner of soundboard fenced-in area, very slightly left of center) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (removing some very loud claps during songs manually; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav.

Acoustic set (solo set except where noted)
1. Down With Disease
2. Wolfman's Brother
3. Theme From The Bottom
4. banter - for Fish in in Morocco
5. Camelwalk
6. Kill Devil Falls
7. Meatstick *
8. Halley's Comet ->
9. Bouncing Around The Room
10. Cavern +
11. Prince Caspian
12. Limb By Limb
13. Stealing Time From The Faulty Plan
14. Waiting In The Velvet Sea ^
15. banter - creeping everyone back onstage
16. Heavy Things &
17. banter - Peggy Fleming
18. Peggy &
19. banter - reminiscing
20. Hey Ya &

Electric set
1. tuning
2. In The Wee Wee Hours (AKA In The Night)
3. Valentine
4. Ocelot
5. It Makes No Difference
6. Gotta Jibboo
7. Burlap Sack and Pumps
8. Clint Eastwood
9. banter - national margarita day
10. Cayman Review
11. Sand
12. Sweet and Dandy
13. Burn That Bridge
14. My Problem Right There
15. Tuesday
16. First Tube ->
17. Empire State of Mind %
18. encore break
19. Sultans of Swing
20. crowd


* = by fan request
+ = w/original extra verse ("The brothel wife then grabbed a knife...") not usually performed by Phish
^ = w/Natalie and Jennifer on backup vocals
& = full band acoustic
% = partial song only

Recorded, Mastered, Tracked, Tagged, and posted by Scott Bernstein

I put a lot of effort into making this recording shine.The 2nd set didn't need much work at all, but the first set required a lot of work, typical of an acoustic show with a zealous audience -- bringing up the volume of music and down the volume of crowd when it erupted in applause or sing-alongs. Considering how T5 is not that great of a venue for sound, this recording came out surprisingly well -- I ran my mics on my stand to its fullest extent, and the FOH engineer was kind enough to let me set up my stand inside of his cage so I could be more centered than I would have been otherwise. Also it was a packed house so the extra protection didn't hurt!











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-=-=-    24 bit / 96 kHz version    -=-=-
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Trey Anastasio Band
Terminal 5
New York, NY
2/22/2011

Set 1: Neumann TLM-170 (hypercardoids, rear of main floor at front left corner of soundboard fenced-in area, very slightly left of center) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (removing some very loud claps during songs manually; volume normalization); Tracked in CDWav.
Set 2: Neumann TLM-170 (hypercardoids, rear of main floor at front left corner of soundboard fenced-in area, very slightly left of center) -> Sound Devices 722 (@24/96); Tracked in CDWav.

Acoustic set (solo set except where noted)
1. Down With Disease
2. Wolfman's Brother
3. Theme From The Bottom
4. banter - for Fish in in Morocco
5. Camelwalk
6. Kill Devil Falls
7. Meatstick *
8. Halley's Comet ->
9. Bouncing Around The Room
10. Cavern +
11. Prince Caspian
12. Limb By Limb
13. Stealing Time From The Faulty Plan
14. Waiting In The Velvet Sea ^
15. banter - creeping everyone back onstage
16. Heavy Things &
17. banter - Peggy Fleming
18. Peggy &
19. banter - reminiscing
20. Hey Ya &

Electric set
1. tuning
2. In The Wee Wee Hours (AKA In The Night)
3. Valentine
4. Ocelot
5. It Makes No Difference
6. Gotta Jibboo
7. Burlap Sack and Pumps
8. Clint Eastwood
9. banter - national margarita day
10. Cayman Review
11. Sand
12. Sweet and Dandy
13. Burn That Bridge
14. My Problem Right There
15. Tuesday
16. First Tube ->
17. Empire State of Mind %
18. encore break
19. Sultans of Swing
20. crowd


* = by fan request
+ = w/original extra verse ("The brothel wife then grabbed a knife...") not usually performed by Phish
^ = w/Natalie and Jennifer on backup vocals
& = full band acoustic
% = partial song only

Recorded, Mastered, Tracked, and posted by Scott Bernstein

I put a lot of effort into making this recording shine.The 2nd set didn't need much work at all, but the first set required a lot of work, typical of an acoustic show with a zealous audience -- bringing up the volume of music and down the volume of crowd when it erupted in applause or sing-alongs. Considering how T5 is not that great of a venue for sound, this recording came out surprisingly well -- I ran my mics on my stand to its fullest extent, and the FOH engineer was kind enough to let me set up my stand inside of his cage so I could be more centered than I would have been otherwise. Also it was a packed house so the extra protection didn't hurt!

