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Phish
October 20, 2010 (Wednesday)
Utica Memorial Auditorium
Utica, NY

Recordist	: Tim Burke - tburke@upstatetapers.org
Location	: set 1: official taper section, front right corner of soundboard cage, ~5' right of center, ~75' from the stage lip, ~10' high, on stand
: set 2: centered, ~25' from the stage lip, ~50' in front of the soundboard, ~7' high, on stand
Mic Config	: 20 cm, 90Âº (backwards DIN Kwon Bar, horizontal capsule orientation)
Source	 : Schoeps MK4V > Nbox > Sony PCM-M10 (line in, dial set to 4)
Recorded Format	: 24 bit, 48 kHz
Conversion	: microSD card > Lenovo IBM ThinkPad T60
Editing	 : Steinberg WaveLab v5.01b (build 240), minimize clapping with volume envelope tool, decibel increase to both channels (resulting in -.20 peaks) via the "change gain" command, resample with ReSampler 192 at High Quality, dither with MegaBitMax, iZotope Ozone 3, Medium Noise Shaping, Normal Dither Amount
Final Format	: 16 bit, 44.1 kHz
Tracking	: CD Wave v1.93.3
Compression	: FLAC v1.2.1, Trader's Little Helper v2.6.0 (Build 168), Level 8, Sector Boundaries Aligned using "fix" setting

All DSP performed by Tim Burke and Jason Sobel (jasonsobel@gmail.com), January 13-23, 2011.

Released into widespread circulation via www.upstatetapers.org on March 14, 2011.

91m 31s
s1t01. crowd
s1t02. My Soul
s1t03. Stealing Time From The Faulty Plan
s1t04. Vultures
s1t05. Wolfman's Brother > 
s1t06. Cities > 
s1t07. Guyute
s1t08. David Bowie
s1t09. Wilson > 
s1t10. McGrupp And The Watchful Hosemasters > 
s1t11. Saw It Again > 
s1t12. Run Like An Antelope

89m 41s
s2t01. Drowned > 
s2t02. Sand
s2t03. Theme From The Bottom 
s2t04. Axilla >
s2t05. Birds Of A Feather
s2t06. Tela
s2t07. Split Open And Melt > 
s2t08. Have Mercy > 
s2t09. Piper > 
Split Open And Melt > 
s2t10. Slave To The Traffic Light
s2t11. encore break
s2t12. Good Times Bad Times

Notes:
Ed Guidry's raw 24 bit, 48 kHz Neumann AK40/LC3/KM100 > Grace Design Lunatec V3 (DIGITAL OUT) > Oade Concert Mod Edirol R-44 master was used to patch the following passages in set 2, due to a loose battery connection causing drop-outs on the Schoeps master.

00:00 - 01:23
01:50 - 01:54
14:44 - 14:45
34:25 - 34:26
63:44 - 63:45

Jason Sobel inverted the polarity of Ed's raw master file, matched its levels to the Schoeps raw master file and performed the necessary crossfades. All of his editing was done in Samplitude SE v9.1.1.

Ed and I had our microphones on the same stand for the 2nd set, with his being approximately two inches above mine; both were mounted in the DIN (20 cm, 90Âº) configuration.

The show was general admission seating.
Thanks to John Crouch for the tickets.
Thanks to Steven Weld and Ed Guidry for the clamp space during set 1 and set 2, respectively.
DPA UA0896 windscreens were used to protect the microphones.

Wolfman's included a vocal jam, as well as a Streets of Cairo tease from Trey. 
The "dry ice factory" line in Cities was changed to "Genesee factory".
Bowie featured Guyute teases throughout the intro, as well as several sections of Wilson jamming with Guyute lyrics during the song proper. 
Wilson, Saw It Again and Antelope all included Guyute teases from Trey, and Page also teased Guyute at the very end of Antelope. 
The Antelope intro also contained a Nellie Kane tease from Mike.
Wilson also had its lyric changed to "I must inquire Guyute" and Trey teased Guyute instead of saying "Marco Esquandolas" in Antelope. 
Piper contained Birds of a Feather teases.

Personnel:
Trey Anastasio - electric guitar, vocals
Jon Fishman - drums, vocals
Mike Gordon - electric bass guitar, vocals
Page McConnell - keyboards, vocals












-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
-=-=-    24 bit / 48 kHz version    -=-=-
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

Phish
October 20, 2010 (Wednesday)
Utica Memorial Auditorium
Utica, NY

Recordist	: Tim Burke - tburke@upstatetapers.org
Location	: set 1: official taper section, front right corner of soundboard cage, ~5' right of center, ~75' from the stage lip, ~10' high, on stand
: set 2: centered, ~25' from the stage lip, ~50' in front of the soundboard, ~7' high, on stand
Mic Config	: 20 cm, 90Âº (backwards DIN Kwon Bar, horizontal capsule orientation)
Source	 : Schoeps MK4V > Nbox > Sony PCM-M10 (line in, dial set to 4)
Recorded Format	: 24 bit, 48 kHz
Conversion	: microSD card > Lenovo IBM ThinkPad T60
Editing	 : Steinberg WaveLab v5.01b (build 240), minimize clapping with volume envelope tool, decibel increase to both channels (resulting in -.20 peaks) via the "change gain" command
Final Format	: 24 bit, 48 kHz
Tracking	: CD Wave v1.93.3
Compression	: FLAC v1.2.1, Trader's Little Helper v2.6.0 (Build 168), Level 8

All DSP performed by Tim Burke and Jason Sobel (jasonsobel@gmail.com), January 13-23, 2011.

Released into widespread circulation via www.upstatetapers.org on March 14, 2011.

91m 31s
s1t01. crowd
s1t02. My Soul
s1t03. Stealing Time From The Faulty Plan
s1t04. Vultures
s1t05. Wolfman's Brother > 
s1t06. Cities > 
s1t07. Guyute
s1t08. David Bowie
s1t09. Wilson > 
s1t10. McGrupp And The Watchful Hosemasters > 
s1t11. Saw It Again > 
s1t12. Run Like An Antelope

89m 41s
s2t01. Drowned > 
s2t02. Sand
s2t03. Theme From The Bottom 
s2t04. Axilla >
s2t05. Birds Of A Feather
s2t06. Tela
s2t07. Split Open And Melt > 
s2t08. Have Mercy > 
s2t09. Piper > 
Split Open And Melt > 
s2t10. Slave To The Traffic Light
s2t11. encore break
s2t12. Good Times Bad Times

Notes:
Ed Guidry's raw 24 bit, 48 kHz Neumann AK40/LC3/KM100 > Grace Design Lunatec V3 (DIGITAL OUT) > Oade Concert Mod Edirol R-44 master was used to patch the following passages in set 2, due to a loose battery connection causing drop-outs on the Schoeps master.

00:00 - 01:23
01:50 - 01:54
14:44 - 14:45
34:25 - 34:26
63:44 - 63:45

Jason Sobel inverted the polarity of Ed's raw master file, matched its levels to the Schoeps raw master file and performed the necessary crossfades. All of his editing was done in Samplitude SE v9.1.1.

Ed and I had our microphones on the same stand for the 2nd set, with his being approximately two inches above mine; both were mounted in the DIN (20 cm, 90Âº) configuration.

The show was general admission seating.
Thanks to John Crouch for the tickets.
Thanks to Steven Weld and Ed Guidry for the clamp space during set 1 and set 2, respectively.
DPA UA0896 windscreens were used to protect the microphones.

Wolfman's included a vocal jam, as well as a Streets of Cairo tease from Trey. 
The "dry ice factory" line in Cities was changed to "Genesee factory".
Bowie featured Guyute teases throughout the intro, as well as several sections of Wilson jamming with Guyute lyrics during the song proper. 
Wilson, Saw It Again and Antelope all included Guyute teases from Trey, and Page also teased Guyute at the very end of Antelope. 
The Antelope intro also contained a Nellie Kane tease from Mike.
Wilson also had its lyric changed to "I must inquire Guyute" and Trey teased Guyute instead of saying "Marco Esquandolas" in Antelope. 
Piper contained Birds of a Feather teases.

Personnel:
Trey Anastasio - electric guitar, vocals
Jon Fishman - drums, vocals
Mike Gordon - electric bass guitar, vocals
Page McConnell - keyboards, vocals
