The Allman Brothers Band
Red Rocks Amphitheater
Morrison, CO
8/3/1996

Original master recording:  Neumann TLM-170 (cardiods) -> Stewart BPS1 power supply -> Teac DAP20 DAT (digital patch) -> Denon DTR-80p (master @ 16/48)

DAT playback: Sony R-500 -> Sound Devices 722 digital input (@24/48)

Mastered: Soundforge Pro 10.0c - *All file manipulation in Soundforge done at 24 bits*. Sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter. 24 bit file then processed with SOX 14.4 (as recommended, keeping the file at 24 bits during the processing) to remove pre-emphasis which was applied by the Teac A>D converter. Then back to Soundforge for volume normalization, clap removal, and dithering to 16 bits using using iZotope MBIT+ with Ultra noise shaping, with high dither settings. Tracked in CDWav.  IDV3 tagged using AudioShell V1.3.5.

1.  tuning / intro
2.  Don't Want You No More ->
3.  It's Not My Cross To Bear ->
4.  Ain't Wasting Time No More
5.  banter - a magical place
6.  Ramblin' Man
7.  Good Clean Fun
8.  Hoochie Coochie Man
9.  7 Turns
10. Stand Back
11. banter - an instrumental piece
12. True Gravity ->
13. Mountain Jam ->
14. Drums ->
15. Bass solo (w/The Eleven, The Other One) ->
16. St. Stephen Jam ->
17. Will The Circle Be Unbroken Jam ->
18. True Gravity (reprise)
19. I Know I Oughta Leave
20. End Of The Line
21. Back Where It All Begins
22. No One To Run With
23. encore break
24. thanks / tuning
25. Blue Sky ->
26. One Way Out *
27. thanks / Little Martha house music

* = w/Ivan Neville on keys with Gregg

The Spin Doctors opened for the Allmans on this night.  I will be posting their set over on archive.org.

I scrubbed by hand maybe about 100 individual claps (some loud, some soft) from all over this recording, plus a couple of whistles from T9

If you're burning to disc, you'll need to make a disc split before Track 11 and another one for the encores

Recorded by Boris Lvovsky and Scott Bernstein.  Transferred by Scott Bernstein Nov 2011.  Mastered, tracked, and ID3 tagged by Scott Bernstein 3/30-4/2/2012

