Phish
Nikon At Jones Beach Amphitheatre
Wantagh, NY
7/3/2012

Neumann TLM-170 (hypercards, official tapers section) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Pro 10.0d (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; clap removal); Tracked in CDWav. IDv3 tagged in AudioShell 1.3.5.

Set 1
1. tuning
2. Skin It Back ->
3. Possum
4. Tube
5. Happiness Is A Warm Gun
6. Mike's Song ->
7. I Am Hydrogen ->
8. Weekapaugh Groove
9. Halley's Comet ->
10. Axilla ->
11. Ya Mar
12. Joy
13. Jesus Just Left Chicago
14. Backwards Down The Number Line
15. Golgi Apparatus

Set 2
1. crowd / tuning
2. Chalk Dust Torture
3. Sand ->
4. Golden Age
5. Wolfman's Brother ->
6. Walk Away
7. Bug
8. Fluffhead ->
9. The Wedge
10. (Run Like An) Antelope
11. encore break
12. Character Zero

It was quite a windy night at the beach, and while my awesome furry windscreens did a fine job at keeping the wind rumble from effecting this recording, you can hear the sound blowing around at times -- most prominently in Chalkdust Torture.

Note there were a LOT of loud local clappers near the tapers' section, so I spent some serious time "de-clapping" this recording. I scrubbed claps from S1T2(2 claps), S1T3(23), S1T4(15), S1T5(13), S1T6(8), S1T7(3), S1T8(15), S1T11(2 claps, 1 balloon pop), S1T12(1), S1T13(2), S1T14(10), S1T15(3), S2T2(4), S2T4(25), S2T7(1 pop, 6 claps), S2T8(6), S2T9(19), S2T10(11)

Special thanks to Jon Pasternak who let me clamp to his mic stand even though I didn't have a taper's ticket!

Recorded, Mastered, and tracked by Scott Bernstein (7/12-16/2012)



