Phish - 10-14-95
Austin Music Hall, Austin TX

Taping Source:
Linda Webster's master copy - 13 Ft. pole; Front Row; Center; AKG 460 Cards>10ft XLR's>Power Supply>3ft XLR's>Technics SV 260A>DAT

Remaster Notes (RyeRyeRocco):  This was a tough one to work on.  Austin Music Hall is notoriously boomy.  Most recordings I have heard from any band there have been muddy.  This recording was not bad to begin with, but slightly muddy and boomy.  It was a challenge to get the boom out without erasing Mike, while brightening the lyrics without S's sounding like hi-hats.  This show also has a lot of no-mic parts, which I wanted to bring to the front. I finally got 'er as good as she's getting, all tracks remastered on my mac in Logic Pro 9.1.7.

1 - Ran Fourier Spectrum Analysis to determine anomalies.
2 - Simple 4 band EQ (very slight slight mid & treble boost) fed into >
3 - *Very* gentle analog Multiband Compressor with flat pre and post gains, .04 sec attack, .04 sec release, -32.5 dB Threshold, 40 dB Headroom
4 - Normalized each track independently to 0 dB

10-14-95
Disc 1 Set 1
{1}Ac/Dc Bag(9:07:62)
{2}Cars Trucks and Buses(3:51:28),
{3}Kung(5:03:09)
{4}Free(8:54:25)
{5}Sparkle(3:39:08),
{6}Stash(18:09:59)
{7}Catapult(11:58:55),
{8}Acoustc Army(4:17:23)
{9}It's Ice(9:31:20)
{10}Tela(6:42:38),
TOTAL: 71:15:27

Disc 2
{1}Runaway Jim(9:12:21).
Set 2
{2}Chess Move>Reba(15:53:43)
{3}Rift(5:45:54),
{4}YEM w/MMW and Dominic Placco{28:51:54)
{5}Hello My Baby(11:30:14)
{6}Scent of a Mule(12:01:37),
TOTAL: 73:14:73

Disc 3
{1}Cavern(6:31:12)
{2}E:Day in the Life(4:46:73).
TOTAL: 11:18:10

Linda's Notes: By overburning about 30 sec, all of Set 1 should fit on one 80 minute disc, allowing all of Set 2+e to stay together on disc 2.

Transfer via xAct:  WAV > FLAC

