Mike Gordon Band
Tarrytown Music Hall
Tarrytown, NY
4/4/2014

Neumann TLM-170 (hypercardoids, 50' split in balcony) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings + special fixes on S2T4,5,6 to clean up a left mic which was knocked out of place and scrub out talking and yelling by the guys who knocked it out of place); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.8 beta 3.

Set 1
1.  crowd / tuning
2.  Ether
3.  Cruel World
4.  banter - NASCAR / duckhouse
5.  Craig plays around with his sampler drum pad
6.  Yarmouth Road
7.  banter - more NASCAR/duckhouse chatter
8.  Different World
9.  Pretty Boy Floyd
10. Spock's Brain
11. electronic sound effects
12. Face ->
13. Peel
14. banter - announcing Trey
15. Cities *
16. banter - one more song
17. Tiny Little World *

Set 2
1.  Long Black Line
2.  Crumblin' Bones
3.  banter - guitar lights
4.  Barton Hollow
5.  Angatta
6.  Spiral
7.  banter - the album
8.  Jumping
9.  Traveled Too Far ->
10. She Said She Said ->
11. Tomorrow Never Knows ->
12. Are You a Hypnotist??  ->
13. Tomorrow Never Knows ->
14. She Said She Said ->
15. Traveled Too Far
16. banter - duckhouse
17. Say Something
18. encore break
19. more electronic sound effects
20. Soulfood Man ->
21. Alphabet Street

* = w/Trey Anastasio on guitar

Note during the 1st set there are a couple of places in the first set between songs where it sounds like someone is sneezing into my microphones, but those were being played by someone onstage using a sampler.

S2T4(starting at 4:54)+S2T5+S2T6(up until 6:57) have additional EQ to boost the high end after my left mic was knocked out of proper placement by some yahoos who were partying it up and also yelling stupid stuff (some of it even slightly racist).  During the affected portions while those guys were being obnioxious I have pasted the right channel over the left and applied a 0.01 reverb to fill out the stereo imaging -- Unless you listen really closely it should be barely noticeable when the patches were made.

Additionally, I scrubbed some claps and whistles from the recording in S1T6(1 whistle), S1T8(1 yell, 2 whistles), S1T10(1 yell, 2 sections of talking), S1T14(1 whistle, 4 yells), S1T15(1 yell), S2T2(1 whistle), S2T8(1 whistle), S2T10(2 claps, 2 whistles), S2T17(1 clap, 2 whistles), S2T19(2 claps, 1 yell), S2T21(1 yell)

Recorded, mastered, tracked, tagged, and posted by Scott Bernstein (4/7-21/2014)

