Grateful Dead
9-3-72

Folsom Field, University of Colorado,
Boulder, Colorado

primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3)
secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3)

Disc 1 (73:01)
	set 1:
1.  tuning/banter (1:01)
2.  Promised Land (3:07)
3.  //Sugaree (7:37)
4.  //Me & My Uncle (3:31)
5.  Tennessee Jed (7:40)
6.  Black Throated Wind (6:21)
7.  //Bird Song (10:41)
8.  Beat It On Down The Line (3:11)
9.  //Mississippi Half Step (6:48)
10. Playin' In The Band (17:03)
11. //Casey Jones (5:57)

Disc 2 (52:03)
	set 2:
1.  //Bertha (6:11)
2.  El Paso (5:04)
3.  Brown Eyed Women (5:14)
4.  Mexicali Blues (3:57)
5.  China Cat Sunflower--> (6:22)
6.  I Know You Rider (6:24)
7.  Truckin' (9:48)
8.  tuning/banter (1:47)
9.  Loser (7:12)

Disc 3 (56:07)
	set 2 continued:
1.  He's Gone--> (10:34)
2.  The Other One%--> (30:42)
3.  Wharf Rat (10:48)
4.  Johnny B. Goode (4:01)

Disc 4 (66:20)
	set 3:
1.  //Cold Rain & Snow (5:29)
2.  Sugar Magnolia (8:33)
3.  stage banter (2:25)
4.  Deal (5:48)
5.  Jack Straw (5:03)
6.  Ramble On Rose (7:40)
7.  Rockin' Pneumonia & The Boogie Woogie Flu (4:52)
8.  Not Fade Away--> (7:10)
9.  Goin' Down The Road Feelin' Bad--> (7:28)
10. Not Fade Away (7:19)
	encore:
11. //One More Saturday Night (4:26)



Caveat:  
--The audience recording that supplies the first set is fairly decent through Tennessee Jed, though the quality drops to quite poor once BTW begins, and never improves for the rest of the first set. 


Notes:
--the tape was stopped between songs on the audience master, leaving many minor cuts at the beginnings of songs during the first set.
--minor tape stoppage at 5:50 in Bird Song
--Bertha is provided by the audience recording
--aud patch in O1 from 12:23 to 13:57; (from 13:41 to 13:57, a higher gen aud was needed for the patch);  there is still some missing material here at 13:57, as both the AUD and SBD sources had overlapping tape/reel flips.   
--the first few seconds of Cold Rain are clipped
--aud patch provides the end of Sugar Magnolia
--the encore, OMSN, is provided by the audience recording (first few notes are clipped)
--Sound Forge was used for normalization, minor pitch corrections, and other edits


part of The Music Never Stopped Project 2002

Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes
edits/encoding by JCotsman