Bill Kreutzmann ~ The Grateful Dead ~ Drums

Scott Murawski ~ Max Creek ~ Guitar

Oteil Burbridge ~ The Allman Brothers ~ Bass

With ~~Mike Gordon~~ Phish / Guesting (Bass)

The Pearl Street Ballroom
Northampton, MA
03-07-08

Source 1: Onstage (ORTF) Neumann KM184> Snake> Lunatec V3> XLR to 1/4"> Alesis HD24XR

Source 2: Console Matrix Outputs A+B> XLR> Sony TCD-D10> RCA to 1/4"> Alesis HD24XR

Lineage: HD24XR Caddy> FST Connect> WAV> DP4> WAV> xACT> FLAC16

Post Production Matrix: Recorded, Mixed, And Mastered By Clinton Vadnais



Set Two:


01. Preset			                                       2:46

02. Monkey Man  *		                                      8:32

03. New Railroad Blues *	                                      6:08

04. Intensified (Music Like Dirt) ^	                   8:51

05. Estimated Prophet > 	                                     16:35
06. Cruel World >		                                     13:49

07. Yellow Moon		                                     15:16

08. Eyes Of The World >	                                    24:39

09. Mas Y Mas		                                     10:12

10. Encore:		                                     3:56

11. Lovelight *		                                     7:36

*Toots & The Maytalls
^Desmond Dekker & The Aces

* With Mike Gordon (Phish) On A 2nd Bass

^ With Mike Gordon (Phish) Only On Bass




I am just a little bummed about this recording. Firstly after set one I hit stop on my deck and locked the session as I always do.
I moved to the session I had set up for set two and got a new (to me) error message. When I went back to the session for set one
it was claiming to be corrupted. Luckily I had another drive with enough room to get set two down. I am still working on recovering
set one with much less optimism than I had that night. I am pretty sure the data is on the drive. Getting it off has proven to be difficult.
This is a proprietary recording format and needs to be converted to typical audio formats. Still working on that as of 3/11/08.
I will mix and seed set one if I can manage to recover it, or some of it. The other matrix and board feeds that were taken came from
matrix outputs C+D which at some point in the night started shorting out intermittently. I am not sure how that console feed varies
but I know what I got to tape from A+B is almost all vocals. The majority of the sound on this recording is from the onstage mics.
The sound is definitely really good. I am my own worst critic and am only somewhat happy with it. I say this because the show was pretty damn awesome.
It was a pleasure to record and to have the privilege to have my mics 10 feet from bills drumkit. Let's do it again sometime!


