Dave Matthews Band
July 20, 1996
South Park Meadows | HORDE tour
Austin, TX


Source:		DAUD

Conversion:	Tascam da20 > Emagic Audiowerk2
		Sound Forge 4.5a (record/resample) > CDWav > MKWact
		Louie Rendek <ljr7@yahoo.com>

Disc One:  

01:		Intro				-	01:42.27
02:		Drive In Drive Out		-	06:36.58
03:		#41				-	07:14.65
04:		Dancing Nancies ->		-	09:18.35
05:		Warehouse			-	08:28.63
06:		Too Much			-	04:40.12

Total:						-	33:21.23

Disc One:  

01:		Two Step ->			-	08:11.16
02:		Crash Into Me			-	07:11.17
03:		So Much To Say			-	04:21.17
04:		All Along The Watchtower #	-	12:00.01
05:		Ants Marching			-	09:56.72
06:		E:  Tripping Billies		-	05:40.20

Total:						-	47:20.69

#	with John Popper on harmonica.

Notes:
----------
*	This show sounds as if it could be a analog > DAT conversion.
	The sound underneath is pretty good but it is a bit warbly
	and distorted in spots.  This "analog" sound is much better
	after Warehouse.  The only other source I had for this
	was the possibility of having a 2nd gen analog converted to
	DAT, so I stuck with this one.
*	The DMBTA @ Nancies.org has SMTS listed after Too Much.  The
	transition from Too Much to Two Step is seamless and SMTS
	appears after the Two Step -> Crash duo.
*	There is a pop at 0:22 in DIDO, this was on the DAT and no
	reasonable edit could be performed to this spot.
*	There are issues throughout Nancies.
*	There are issues throughout Warehouse.
*	There was a cut at 7:52 in Warehouse.  I fixed it with a
	crossfade.  What is strange is that on the DAT, after this cut
	the sound is much better quality.  Maybe something was wrong
	with the taping rig up until this point that the taper fixed.
*	There is a weird channel effect at 1:40 in SMTS, also there is
	a click at 2:16 in SMTS.
*	Starting at Watchtower, the sound is weird, it appears as if
	one channel is differnt from the other in the waveform.  The
	point where it happens is 3:52 in Watchtower.
*	Another point the equipment problems are evident is after
	Watchtower during Dave speak, you can hear channel issues.
*	There was a cut during the encore break, so I inserted a
	crossfade to smooth this out.
*	At 4:20 (roughly) in Billies, the weird equipment problems
	are gone and the waveform appears to be normal again.

*  compiled by Louie Rendek <ljr7@yahoo.com> on January 5, 2003.