Phish
Green Hall
Smith College
Northampton, MA
02/09/91

TAPER: John Redmond
SOURCE Nak 300s > D5

AUD MCass (Sony Metal-SR, 90 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)>
Mastering (see notes)> SHN v3

transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 09/28/2003
Mastering done by M. Goldey and Marmar.

-Mastering-
Wavelab > Montage to reconstruct sets and correct volume changes > Waves x-noise > Waves10 Band EQ > BBE 0/2/0 > Waves L1+ > 16/44.1 via L1+ Mode1/Normal > Tracking > SHN v3

Disc 1-
1) Mango
2) Sloth
3) TMWSIY >
4) Alvenu Malkenu >
5) TMWSIY
6) Runaway Jim
7) Foam
8) Guelah Papyrus > Asse Festival > Guelah Papyrus
9) My Sweet One
10) Tweezer
11) Reba
12) Chalkdust Torture.

Set 2:
1) Intro
2) Golgi
3) Buried Alive
4) Fluffhead
5) Landlady
6) BATR
7) Harry Hood
Cavern >
9) Love You
10) Squirming Coil
11) Llama
-Encore-
12) crowd
13) Lawn Boy
14) Suzy Greenberg
15) Contact
16) Rocky Top

Disk 2 runs 81:08. To burn on an 80minute disk, leave out D2T1 (the intro/tuning track)

Notes
The taper made level adjustments throughout the show.  The most jarring of these have been normalized relative to each other, and the rest left as is.

The master cassette was paused between Suzy Greenberg and Contact, suggesting that the band left stage and then returned for a second encore.  It was stopped again between Contact and Rocky Top, and started a few seconds late, which suggests that the taper was suprised when the band returned to stage a third time.  Trey comments during the show how much the band liked the venue, which may explain multiple encores and why, IMHO, they played so well this night.

NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).

Seeded to FurthurNet (www.furthurnet.org)
