Phish
Boston Garden
Boston, MA
10/30/92

TAPER: John Redmond
SOURCE Nak 300s > D5

AUD/FOB MCass (Maxell MX 90 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)>
Mastering (see notes)> SHNv3

Transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 2/7/2004
Mastering, and shorten done on REBA by Marmar- imthemarmar@stny.rr.com

**Mastering**
24bit 48kHz FLAC > wav > Montage to reconstruct set and add fades over flip > Internal 24bit rendering (no dither) > BBE @ 0/4/0 > Waves Rbass Module +5db @ 35Hz > Internal 24bit renerding (no dither) > Rendered 24/48 wav files > Waves L1+ (24bit, no dither, +2.3 gain make-up) > 48kHz>44.1/High and 24bit>16bit/Mode 1/Low via tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3

*Mastering Notes*
- Even though I was able to bring some of the bass back into the mix, if I were to have tried to raise it any more the mid registers would have gotten burried in the mud.
- There is a pause after Runaway Jim. There was no silent part of the wave, it just appears as if the deck was paused and then restarted...I left this *as is*
- The start of Stash was missing from the tape flip...I crossfaded this as best I could...

-Disc 1-
01. //Runaway Jim
02. Maze
03. Bouncing Around the Room
04. Rift
05. Cavern (w/Vacuum solo)
06. Squirming Coil
07. //Stash
08. Sweet Adeline
09. You Enjoy Myself

Notes
"BCN Roctoberfest"

The taper noted "Nak 300s > DCM-5 - Back left 60ft off stage" on the tape cover.

NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).

Seeded to FurthurNet (www.furthurnet.org)

