Jason Mraz
27 May 2004
DAR Constitution Hall
Washington, District of Columbia

Taper: Chris Jones <jonescx@bc.edu>
Source: DPA 4015 Wide Cardioid > Luminous Audio Technology Synchestra 4/9's Silver Interconnect > Grace Design Lunatec V3 Integrated Pre | 24/192 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to V3 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO b26 Recording Console (@ 24-bit / 96kHz) 
Location: "Taper's Section" -- DFC in the first tier of the balcony, adjacent to the lighting desk; about 75' from the stage.  Stand at 9', wide cardioids spaced about 2', A-B, as part of a Corey-Martin surround configuration (see below). 
HD > .shn: Apple PowerBook G4/1gHz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.11 (@ 24/96kHz) > Spark XL 2.8 > xACT 

Dithered to 16-bit and resampled via T.C. Works' MegaBitMax and its Ultra-Noiseshaping function.

d1t01 Introduction						01:53.14
d1t02 Flying My Guilt Over A Quilt				04:54.42
d1t03 0% Interest 						08:01.47
d1t04 Intro To...						00:48.28
d1t05 The Remedy (I Won't Worry)				04:51.30
d1t06 Halfway Home						08:39.43
d1t07 The Right Kind of Phrase					11:31.58
d1t08 Older Lover Undercover					05:24.37

								46:04.74

d2t01 When God Moves Through You				06:04.09
d2t02 "Chicken Presentation"					03:08.56
d2t03 The Rainbow Connection					06:23.71
d2t04 Too Much Food						05:13.08
d2t05 You And I							06:52.53
d2t06 Song For A Friend						09:15.46
d2t07 What It Takes						07:38.01
d2t08 Curbside Prophet						05:27.58

								50:04.02

Notes:

Taping was prohibited everywhere in the venue outside of the dedicated 'taper's section.'
  
24/96 .flac24 files of this stereo recording are available immediately. 

Mics were arrayed in a Corey-Martin surround configuration, with 4015 subcardioids (the source of this recording) A-B, spaced about 2', and a pair of DPA 4011's oriented vertically, aimed at the ceiling, spaced about 8", and placed behind the forward-facing subcardioids. All channels were tracked to disk simultaneously.  A surround DVD-Audio is forthcoming.  The source for the surround channels was the following: 

DPA 4011 > DPA AO0182 XLR > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to V3 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz). 

Compiled by Chris Jones <jonescx@bc.edu> 28 May 2004.