Howie Day
11 February 2004
The Orpheum Theatre
Boston, Massachusetts

Taper: Chris Jones <jonescx@bc.edu>
Source: DPA 4015 Wide Cardioid > DPA AO0182 XLR > Grace Design Lunatec V3 Integrated Pre | 24/96 A/D (@ 96kHz) > Canare DA-206 Custom AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to V3 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz)
Location: Stageright rear orchestra; row RR, seat 125, ~ 25' from stageright stack.  Stand at 9', wide cardioids A-B, as part of a Corey-Martin surround configuration (see below).
HD > .shn: Apple PowerBook G4/1gHz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.11 (@ 24/96kHz) > Spark XL 2.8 > xACT

Dithered to 16-bit and resampled via T.C. Works' MegaBitMax Ultra-Noiseshaping

d1t01 Introduction				01:06.31
d1t02 Sorry, So Sorry				05:12.24
d1t03 Perfect Time of Day			06:29.33
d1t04 Numbness For Sound			03:45.65
d1t05 Slow Down					03:33.44
d1t06 Madrigals					06:02.56
d1t07 Sunday Morning Song			04:47.07
d1t08 You And a Promise				08:03.47
d1t09 Ghost					05:54.20
d1t10 So Goodbye				05:35.55

						50:31.07

d2t01 Brace Yourself				03:42.12
d2t02 Secret					06:05.06
d2t03 Kristina					05:23.65
d2t04 Trouble in Here				08:04.11
d2t05 Collide					05:53.48
d2t06 She Says					06:11.56
---
d2t07 End of Our Days				04:47.64
d2t08 Morning After				07:48.36

						47:56.73

Notes:

Thanks to Vance McNabb for his help in getting gear inside.  Thanks to Mark for the duct tape.

24/96 .flac24 files of this stereo recording are available immediately.

Mics were arrayed in a Corey-Martin surround configuration, with 4015 subcardioids (the source of this recording) A-B, spaced about 12", and a pair of DPA 4011's oriented vertically, aimed at the ceiling, spaced about 14", and placed behind the forward-facing subcardioids.  All channels were tracked to disk simultaneously, and should result in a multichannel, 24/96 surround DVD-Audio disc in the near future (Hi, Eric!).  The source for the surround channels was the following:

DPA 4011 > DPA AO0182 XLR > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to V3 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz).

Compiled by Chris Jones <jonescx@bc.edu> 12 February 2004.