Garcia & Grisman
Warfield Theater; San Francisco, CA
1/12/94

MAD (unknown taper, location, & equipment) > DATs > playback
on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction
using EAC > tracking using CD Wave > .shn encoding using mkwACT.  
D > CD by David Minches, EAC > SHN by Joe Jupille>AU@96000 hz 32 bit float 
digitally remastered by Bob Loy(The Other One)>16 bit signed pcm wav @ 44100 hz
>tracked@16bit>FLAC

MAD>DATs>CD(David Minches)>EAC(jjoops)>SHn>AU@96k32bit(loy)>16bitWAV@44100 hz>FLAC

Disc One (7) 					42:29
--Set I--
1. Teddy Bear's Picnic [4:48] [0:55]   			5:43     	
2. Jack-A-Roe [4:31] [1:10]				5:41	
3. Dark As A Dungeon [7:12] ->			7:12
4. Bow Wow [5:31] [1:35]				7:06
5. Two Soldiers [4:18] ->				4:18
6. Friend Of The Devil [7:02] ->			7:02
7. Louis Collins [5:22] [0:24]				5:27

Disc Two (11) 					66:06
--Set II--
1. Tuning & Stage Talk [0:51]				  :51							
2. Stealin'* [4:05] [0:56]    5:01			5:01
3. Jenny Jenkins* [4:55] ->				4:55				
4. Walkin' Boss [7:17] ->				7:17
5. When First Unto This Country [4:33] [0:24]		4:50
6. Milestones [8:42] ->				8:42
7. Sitting In Limbo> [9:22] [1:01] 		              10:23
8. Russian Lullaby [6:38] ->				6:38
9. I Ain't Never Seen Nobody Like You [3:07] [0:30]  	3:37
10. Bag's Groove [9:24] ->				9:27
11. Ripple [4:11] [0:16]				4:25

Notes:
* = Garcia & Grisman duet
The Jerry Site and eyewitness accounts locate the setbreak before Stealin', but I couldn't for the
life of me detect a break between Louis Collins and the tuning/banter prior to Stealin'.  Similarly,
the Jerry Site lists Ripple as the encore, but to my ears this sounds like a segue directly from
Bag's Groove.  I list a lot of segues above, probably in part because it is hard to hear what's happening
with the crowd noise at the end of each tune.
Finally, at some point someone with the software,skill, and inclination may wish to raise the levels
of the music, which are low compared to the applause.
http://db.etree.org/lookup_show.php?shows_key=107389
flaws: d1t1  level jump at 2:35, low levels through out

Bob's Notes:
This is exactly what you would expect from Garcia & Grisman; a Beautiful show in every aspect, excellent setlist,
great energy... smooth and mellow, synergy, and above all an excellent recording.(I used to think AUD was a bad thing)
It was just too quiet, on that note I helped it out by raising the volume for the body of the music to match the applause 
smoothing the transitions in and out of the songs the best that I could to improve the overall sonic quality of the show.
The more time that I spent working on this show the more I came to enjoy it! 
I hesitate to even call this a remaster, it was a quality recording to begin w/ I simply tweaked
the leveling and smoothed out the occasional mic stand bump, and close by intrusive (really) loud clapping
(50-100 quit counting) when it created clipping that interfered w/ the song usually less than 5/1000 of a second, 
softened -6 db to -10 db a few were reshaped w/ a pencil tool when necessary.
I did not apply any noise reduction or use any compression on this show. Completed 18NOV2004

these numbers represent the volumes increased for the body of the music, they do not represent the entire track
d1t1	 + 6.7   db 			
d1t2 	 + 7.8   db
d1t3 	 + 9.0   db			
d1t4  	 + 8.5   db			
d1t5	 +12.2  db
d1t6	 + 7.1   db
d1t7	+14.0   db

d2t1  	 0.0			
d2t2	+12.5  db
d2t3	+  8.8  db
d2t4	+10.1  db
d2t5     	+13.8  db       the few seconds trimmed between t5 and t6 was generated silence 
d2t6	 +6.5   db			
d2t7	 +8.9   db
d2t8	  +8.5  db
dtt9	 +12.0 db
d2t10	 + 9.2  db
d2t11	  +8.4  db
				
http://members.cox.net/thats-it-4-the-other-one/
questions, comments, or concerns should be addressed to bob @
thats-it-4-The-Other-One@cox.net