Jason Mraz
16 October 2005
Avery Fisher Hall at Lincoln Center
New York, New York 

Taper: Christopher Jones <jones.chris@gmail.com> 
Source: DPA 4015 Wide Cardioid > Luminous Audio Technology Synchestra 4/9\'s Silver XLR Interconnect > Rupert Neve Designs Portico 5012 Microphone Preamplifier > Luminous Audio Technology Synchestra Signature 6/9\'s Copper XLR Interconnect > Mytek Digital Stereo192 Analog-to-Digital Converter (@ 24-bit / 96 kHz) > Luminous Audio Technology Allegro Signature 4/9\'s Silver AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (locked to Stereo192 clock @ 96 kHz; 24-bit / 96 kHz) 
Location: Orchestra Row R, Seats 6 and 8; stageleft stack.  Mics A-B; stand at various heights throughout the evening. 
HD > .flac: Sound Devices 722 Hard Disk Recorder > Apple Power Mac G4 MP800 / 512MB > T.C. Works\' Spark XL 2.8 > xACT 1.4b28 

Resampled and dithered using T.C. Works\' respective highest quality resampling and Ultra-Noiseshaping functions.  A 24-bit / 96 kHz version of this recording exists in .flac24. 

d1t01 Introduction					01:20.55
d1t02 You And I Both					06:38.55
d1t03 Life is Wonderful >				06:17.48
d1t04 Unfold						06:13.59
d1t05 Did You Get My Message				04:37.54
d1t06 Bella Luna					07:23.02
d1t07 The Remedy (I Won\'t Worry)			06:27.60
d1t08 Song For A Friend					09:28.21
d1t09 Mr. Curiosity					06:50.03

							55:17.57

d2t01 Plain Jane					06:51.00
d2t02 Keep on Hoping *					06:39.23
d2t03 I\'m Yours						06:26.35
d2t04 On Love, In Sadness				05:10.09
d2t05 Intro To...					00:51.44
d2t06 Please Don\'t Tell Her ^				05:29.52
d2t07 Curbside Prophet					09:16.71
---
d2t08 Plane						08:43.59
d2t09 Geek in The Pink					05:10.24

							54:39.17

> Indicates a segue into the next song
* Featuring Raul Midon on guitar and vocals.
^ Adam\'s kick drum was not patched through the house PA.  Random audible 
  pops during the second half of the song occur as FOH tries to get the 
  kick drum back.  They were successful.

Notes:

Taping is typically prohibited at this venue.  As a result, stand height was minimized most of the show (~ 4 feet) while patrons remained seated.  Stand was raised to approximately 9\' by the end of the show.  

Compiled by Christopher Jones <jones.chris@gmail.com> 22 October 2005.

