Dave Matthews Band
Madison Square Garden
New York, New York
December 10, 2005
Version 4

DTS-Audio-CD 5.1 Mix
6 Source Mix

Disc 1 

01 [02:57] Intro
02 [08:36] Pantala > Rapunzel *
03 [07:39] What Would You Say             
04 [11:00] #41 *  
05 [06:59] One Sweet World *  
06 [05:13] So Much To Say * 
07 [24:20] Seek Up    
TT [66:33]

Disc 2 

01 [04:20] Hunger For The Great Light * 
02 [09:21] Minarets
03 [11:32] Dream Girl 
04 [04:44] Linus And Lucy *   
05 [05:23] Stand Up * 
06 [19:44] Jimi Thing *+
TT [55:07]

Disc 3 

01 [00:32] Robert Randolph Intro 
02 [13:47] Smooth Rider *^
03 [10:10] Louisiana Bayou *^  
04 [06:44] Encore Break 
05 [06:41] Christmas Song
06 [06:15] Halloween                
07 [08:03] Ants Marching   
TT [52:15] 

* Rashawn Ross 
+ Mike Doughty 
^ Robert Randolph 

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Source Info (abridged - see complete text files included)

Source 1
Taper:    Crumbo 
Source:   AKG 480/ck63 (DIN, ~12\') >Opti-Mod V3 > JB3 
Location: Section 2, Row U, Seats 1 & 2 (left stack)


Source 2
Taper:    ??
Source:   Schoeps CMC5(modified)/MK41 > Apogee Mini-Me 
          (@16/44.1, Soft Limit On) > Sony D8 
Location: Section 4, row M, seats 5,6 (left stack) 


Source 3
Taper:    W Clark  
Source:   AKG c391b > UA-5 (bm2) > JB3
Location: Section 123, Row F, Seat 1


Source 4
Taper:    Tony S./nak700 
Source:   AKG CK1x(din) > Active Cables > c460b > V3 > JB3 
Location: Sec. 209 Row A 25\' from left stack, Stand at 10\'


Source 5
Taper:    Scott Brown  
Source:   DPA (B&K) 4022s > Lunatec V3 (Analog out)  > Nordost 
          Red Dawn XLRs >  Mytek Stereo192 > Sound Devices 
          722 @ 24/96 > Apple PowerBookG4 > Spark XL 2.8.2 
          (tracking, resample to 44.1khz, dither to 16 bit) 
Location: Row U, center


Source 6
Taper:    Christopher Jones <jones.chris@gmail.com> 
Source:   DPA 4015 Wide Cardioid > Luminous Audio Technology 
          Synchestra 4/9\'s Ag XLR Interconnect > Rupert Neve 
          Designs Portico 5012 Microphone Preamplifier > Luminous 
          Audio Technology Synchestra Signature 6/9\'s Cu XLR 
          Interconnect > Mytek Digital Stereo192 Analog-to-Digital 
          Converter (@ 24-bit / 96 kHz) > Luminous Audio Technology 
          Allegro Signature 4/9\'s Ag AES / EBU Digital Interconnect > 
          Sound Devices 722 Hard Disk Recorder (locked to Stereo192 
          clock @ 96 kHz; 24-bit / 96 kHz)  
Location: Section 63, Row K, Seat 5.  Mics A-B at 12\', 
          directly in front of stageright sidestack.

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Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble 
the tracks back to 1 long wave.   CEP2.0 was used to align & 
synch all of the sources.  CEP2.0 used to adjust the volume
on sources 2 thru 6.  Source 1 was left at the original levels.   
Surcode CD Pro DTS was used to encode to DTS.  
- Mixed by dan@am-dig.com
- FLAC conversion done 22-DEC-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

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DTS-Audio-CD Info

Front  	
Left Channel SOURCE 1 AKG 480/ck63 
Right Channel SOURCE 1 AKG 480/ck63 

Center 	
Mixed to mono -5db D\'EQ SOURCE 5 DPA 4022s

Surround
Left channel SOURCE 4/3 AKG CK1x + AKG c391b Matrix
Right channel SOURCE 6/3 DPA 4015 + AKG c391b Matrix

Sub/LFE
Mixed to mono -5db SOURCE 2 Schoeps CMC5 

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Notes

This is version 4.

All disc changes can reassembled seamlessly on longer media.

The multiple sources made for a tremendous amount of options
in a multichannel presentation.  I had quite a bit of fun
fooling around with different mixes.  In the end a few friends,
3 bottles of Napanook 1999 and a case of Newcastle we came to
a somewhat consensus that version 4 was the optimum mix.  A 
total of 9 different mixes were made of Smooth Rider.

Source 1 and 5 were the obvious choices for the front and
center channels due to their center recording locations.

Source 1 was left completely as is.  No processing, EQing
or adjustments to the volume was preformed.

Source 5 was digitally EQed to bring out more of the vocals.
The house mix was stereo so the user can consider turning the
center channel down (it is already -5db) or off to fully hear
the stereo mix.  However, if you position yourself front and
center the sound does come at you from left, right and center
so I prefer to leave the center channel on but somewhat lower
in the mix.

I use 3 different sources for the rear channels.  One recording
from the far right stacks and one from the far left stacks.  I
then mixed in a small amount (approx 30%) of a recording taken 
from a rear location to add bit more time and space to the rear 
channel mix.

As usual, the Schoeps source seemed to capture the low end
frequencies the best and was the natural choice for the sub/LFE.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn\'t really read the text file, did you?  Read below!!

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More On DTS

Today\'s audio standards are moving towards multi-channel sound, 
like DTS and Dolby Digital.  While the Audio-CD standard (Red 
Book) hasn\'t changed to accommodate these new sound formats, it 
is still possible to go around the specification and to put a 5.1 
surround recording on a regular Audio-CD.  To play a DTS-Audio-CD 
you must connect your DVD/CD player via a digital cable (optical 
or coaxial) to your DTS Dolby-Digital receiver. It is not 100% 
sure that your receiver will recognize a DTS-Audio CD, so the 
first time you\'re trying to playback a DTS-Audio-CD you must do 
a test to determine if it can. Begin with the volume very low, 
start the disc and raise the volume gradually. NEVER listen to 
a DTS-Audio-CD through the analog audio outputs of your CD/DVD 
player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

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Additional Formats

This show is available in the following formats:

1. All 6 AUD sources listed above.
2. 6 Source Matrix Mix at 16/44 CD-Audio
3. 6 Source Matrix Mix at 24/48 DVD-Audio
4. 6 Source Matrix Mix DTS-Audio-CD 5.1 Surround Sound
5. 6 Source Matrix Mix DVD-Audio 5.1 Surround Sound

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FLAC fingerprint

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