The Grateful Dead
Starlight Theatre
Kansas City, MO
September 3, 1985

Primary Source: 
FOB (Section 2A Row D Seat 8)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M(Charlie Connor's CM - TDK MA90's)

Secondary Source:
Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> 
custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board
The Secondary source supplies Patches as follows:
d1t07 3:48 - 3:50 (two seconds of crowd noise - How's that for a fast tape flip) :o)
d2t02 Last seven seconds
d2t07 First 47 seconds

Transfer:
Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>
Steinberg's Wavelab 3.0 (bit resolution & resampling to  16/44.1>CDWav beta1.57 
(tracking only)>flac16

Taped & Transferred by Charlie Connor

Seeded 09/04/2006

First Set
CD 1
1.  Crowd/Tuning
2.  Feel Like A Stranger
3.  They Love Each Other
4.  Little Red Rooster
5.  Dire Wolf
6.  Cassidy>
7.  Big Railroad Blues>//
8.  Music Never Stopped>
9.  Don't Ease Me In

cd2 80min CD req
SET2
1.  Cryptical Envelopment >
2.  Other One>
3.  Cryptical Envelopment >
4.  Eyes Of The World>
5.  Don't Need Love* >
6.  Drums// >
7.  //Space >
8.  Nobody's Fault but Mine>
9.  Truckin' >
10. Smoke Stack Lightnin' >
11. Comes A Time>
12. Lovelight
Encore
13. Baby Blue

* Without Jerry.

Comments:

This is a fresh transfer from my cassette masters that doesn't have the DAE layer from the prior seed. 
I ran my deck, as well as the decks for my taping buds, Vita, Hance, Goldsher and even possibly Eugene D'Alesandro.
As I remember it the FOB seat location was mine (which is why I got the job running the rig) 
Although it is possible that one of those guys gave me their seat because I offered to work the show. 

Also note, The prior seed indicates the Cassette Masters were Maxell MX 90's that is incorrect, 
they are TDK MA 90's
