Phish
Coral Sky Amphitheater
West Palm Beach, FL
November 2, 1996
 
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)

01 [09:38] Yamar
02 [23:50] Crosseyed and Painless >
03 [13:45] Run Like an Antelope
04 [05:59] Waste
05 [14:19] Harry Hood >
06 [04:53] A Day in the Life
TT [72:26]

*All songs feature Santana percussionist Karl Perazzo 

---------------------------------------------------------

Source Info

SBD
Pre-FM SBD > DAT> CD-R > SHN

AUD
Microtech Geffel M300 > DAP1 > D(1)
transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > 
Wavelab (fades/sample rate/rendered w/ UV22HR) > SHN

---------------------------------------------------------

Tech Notes
SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch both of the sources.  CEP2.0 used to adjust the volume
for the SBD & AUD. This is a 60% SBD, 40% AUD mix  
- Mixed by dan@am-dig.com
- FLAC conversion done 29-SEP-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print 
at the highest resolution onto glossy photo paper.  Design for 
use with a clear slim double jewel case.  

---------------------------------------------------------

Notes

Incomplete show.

Version #4 - SBD+AUD DTS-Audio-CD 5.1 Surround Sound

The AUD recording punches at zero consistently throughout the
recording.  Or it did and then someone dropped the levels by 
1 or 2db.  This recording tiptoes along the edge of distortion
but I don't think it really becomes a problem.  However, the
extreme levels (or post production hard limiting) on this
recording has really reduced the dynamic range.  On the plus
side it does have a really "in-your-face" sound quality.

There were between song edits after Yamar, Antelope and
Waste on the SBD source.  The AUD recording was trimmed to
match and a variety of edits (fades, crossfades and level 
adjustments) were performed to make this transitions as 
smooth as possible.  They were a bit too quick to make this 
completely inaudible.

There were several pops throughout the SBD recording.  The
kind that may have slipped by unnoticed unless you were knee
deep into the recoding on an editing program like I was.  I
did my best to locate and remove most or all of these.

---------------------------------------------------------

Additional Formats

This show is available in the following formats:

1. The straight Pre-FM SBD and Microtech Geffel M300 AUD
2. SBD + AUD Matrix Mix at 16/44 CD-Audio
3. SBD + AUD Matrix Mix at 24/96 DVD-Audio
4. SBD + AUD DTS-Audio-CD 5.1 Surround Sound
5. SBD + AUD DVD-Audio 5.1 Surround Sound

---------------------------------------------------------


