Grateful Dead
10/15/88 - Saturday
Bayfront Center
St. Petersburg, FL  

Source: Nak100's -> Sony D-6  (Marantz PMD43x was lead deck)
Location: Tapers Section - Jerry's side behind board up 12": mics 10' up and 10" apart 

Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96

Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper

Set One:
**CD One**
1. Tuning ->			[01:16]
2. The Music Never Stopped ->*	[05:54]
3. Sugaree 			[09:54]
4. Blow Away #			[07:37]	
5. Walkin' Blues 		[06:54]
6. When Push Comes To Shove 	[04:43]
7. Queen Jane Approximately 	[06:26]
8. Tennessee Jed ->		[08:02]
9. Let It Grow			[12:29]
		Disk 1 Total- 58:15
Set Two:
**CD Two** 
1. Saturday Night Space ->	[01:27]
2. One More Saturday Night	[04:45]
3. Crazy Fingers -> 		[08:00]
4. Playing In The Band ->	[07:52]
5. Uncle John's Band ->		[06:56]
6. Drums -> 			[09:05]
7. Space ->			[05:15]
8. Truckin' ->			[06:35]
9. Smokestack Lightnin' -> 	[03:20]
10. Stella Blue -> 		[09:10]
11. Turn On Your Lovelight	[06:07]


Encore:
12. Crowd/Tuning ->		[00:45]
13. U.S. Blues			[05:25]
		Disk 2 Total- 74:42
	[Show Total- 02:12:57]  

Comments:

* Connection to left channel lost in a few spots; fixed as noted and undetectable except one spot:
2:43, 3:54, 4:54 and at 4:04; 4 sec of Left channel replace w/ right(mono for 4sec) 

#The bass levels were way too hot in parts of the show particularly during Blow Away.

^^Little was done if any to reduce the noise levels, particularly in Wavelab.  The Treble and Bass settings transferred were faithfil to the recording and preserved.  If you feel too much bass or treble, adjust your system accordingly.  

Dolby was not used in tape playback and no noise reduction was used in Wavelab.

These Mics were extremely sensitive to the arena crowd and high spl's from say Phil and the drumz...An artifact that is part of the recordings personality, left alone.

As a licensed structural engineer in PA I would have to say that afer hearing the Drumz, this arena is going to be stable from any interior attack that may arise in the near future ;)

Enjoy!
mtownshend