Grateful Dead 3/25/72 Academy of Music, New York City, NY

AUD composite, see source info below.

CD 1.

set one: Bo Diddley & Grateful Dead

 1. Bo Diddley >         	04:23
 2. I'm A Man		 	06:03
 3. Jam			 	09:34
 4. Take It All Off	 	03:54
 5. Mona		 	02:56
 6. Wow Wow Hey Hey	 	10:20
 7. Slow Blues		 	05:19
 8. Pollution		 	04:55
 9. Eighteen Children	 	03:20
10. Jam			 	03:55
11. Jam			 	03:54

set two: Grateful Dead

12. How Sweet It Is		06:37
13. dead air & tuning		02:22
14. Are You Lonely For Me	07:02

CD 2.

set two cont'd

01. Next Time You See Me	06:01
02. Brown-Eyed Women		04:43
03. Smokestack Lightnin'	13:26
04. Sittin' On Top Of The World 03:48
05. Sugaree			07:33
06. Looks Like Rain		07:38
07. Bertha			05:54
08. Mr. Charlie			03:49
09. Playin' In The Band		05:58
10. Turn On Your Lovelight	04:58

There are several masters to this show, of varying quality and
completeness. I had seven different CDRs made from low-generation cassettes
(dating back to the 70s and 80s) of the different masters. I also considered the
previously circulating MC>C>D>CD of the Dead set, but ended up using none of it
since there are just tons of hiss on that one.

The following sources were used in this compilation:

set one:
source A - low-gen reel > C > CDR
source B - MC > C > CDR; different master than source A

Wow Wow Hey Hey 1:30 tape warbles; 7:09 tape cut.
Jam (d1t11) 0:37 and 0:40 tape cuts.

set two:
source C - low-gen cassette > CDR
source B - MC > C > CDR, patch only, inferior sound than source C

beginning through Take It All Off 1:13 is from source A, the rest
is from source B except for Take It All Off 3:53 through 0:20 of Mona,
which were missing on source B and have been spliced in from source A.

Smokestack Lightning 11:40 through 12:08 spliced in from source B.

... there are doubtlessly more of these unavoidable anomalies.
A few "pause button" cracklings have been smoothed.
Some careful EQ'ing has been applied to remove some of the high freq tape hiss.

Playin' In The Band and Lovelight are both missing their beginnings.
There is only one known AUD master which supplies these songs, and even
anything from Bertha onwards.

Black-Throated Wind, Deal, Good Lovin' and Casey Jones, though present in
Deadlists, are completely missing.

Only 'How Sweet It Is', 'Are You Lonely For Me'

assembled by H.B. 2/02 - 4/02
a thousand thanks to Uli Teute for all the tapes.
