Phil Lesh & Friends
October 13, 2000
Beacon Theater - New York City, NY


Source: Neumann tlm170 > Lunatec v2> Apogee AD1000 > DAT (48k)

Conversion: DAT> RMEdigi96/8 > SoundForge 4.5 (rec,edits,normalizing,48>44)> CDWav (splits)> mkw > shn
SHNtool used verify track boundaries. Conversion by Marc Pujol 5/3/2002. Source DAT from Matt Vernon.

CD 1  total time [69:52.20]
01. [04:18.20] Jam >
02. [12:30.22] Dancin >
03. [11:13.11] In Your Eyes
04. [09:15.26] Ramble On Rose *
05. [15:20.56] The Wheel >
06. [08:19.02] Jack A Roe
07. [08:55.33] Foolish Heart >


CD 2  total time [64:47.45]
01. [12:02.33] Lovelight
Set 2
02. [01:47.18] Crowd
03. [13:30.67] Strawberry Field Forever > *
04. [14:05.01] Wharf Rat >
05. [05:17.42] Box of Rain >
06. [05:09.14] NFA >
07. [06:13.66] Jam >
08. [06:41.29] NFA >


CD 3  total time {56:11.00}
01. [03:37.70] Help on the Way >
02. [25:22.17] Terrapin Station >
03. [02:24.45] Slipknot >
04. [12:59.53] Franklin's Tower
05. [03:08.69] Crowd Noise
06. [02:12.55] Donar Rap
07. [06:24.66] Encore: Built to Last

* 1st time played

Phil Lesh
Warren Haynes
Jimmy Herring
Rob Baracco
John Molo

Editing notes:
There was someone clapping loudly directly in front of the rig at many points between songs. These claps spiked up close to 0db in many spots, which made normalizing to peak impossible. So, I used Soundforge to manually soften the worst spikes by about 9db, attenuating only the spikes (about 60 of them), which were about .007 seconds in length. This made the loudest peek point in the music instead of the claps. The loudest peek was 5.7db. I normalized to 0db.

Sample rate conversion made after edits using anti-alias filtering and using the top setting (4-audiophile) on the quality selection.


