Grateful Dead
Paramount Northwest Theater,
Seattle, Washington
September 29, 1977

Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>
PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder>
analog in PCM501ES analog out>Dat @ 48 kHz
First Reel has no DBX hence MR > P1 > D1
Jace Crouch's original source DAT via trailmix and Tim Deibert 

Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > 
Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz]
Mastering: In WaveLab with Waves L3 Multimaximizer
Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac 
Transfer and mastering by Bill Koucky November 24, 2008, Green Mountain Bros.


1st Set:

1.	Mississippi Half-Step 
2.	Mama Tried
3.	// Deal
4.	Looks Like Rain
5.	Ramble On Rose
6.	// El Paso
7.	Suga//ree
8.	Let It Grow
9.	Franklin's Tower

Time: 		81:24

2nd Set:

1.	Samson & Delilah
2.	Ship Of Fools
3.	Estimated Prophet >
4.	He's Gone >
5.	Drums >
6.	Tru//ckin' >
7.	Stella Blue > 
8.	Goin' Down The Road Feelin' Bad >
9.	Johnny B. Goode 
Encore: 
10.	Uncle Johnï¿½s Band

Time:		91:51

To Burn to 3 discs:
Disc 1 s1t01 - s1t07 	52:59
Disc 2 s1t08 - s2t02	47:45
Disc 3 s2t03 - s2t10 	72:36

Source/Mastering Notes:
Many pops and hums throughout the source tape that may be from original reels or PCM transfers. 
First reel has no DBX and cuts to the decoded reels in Sugaree fro the remaining of the show.
S1t0 0:00 Squeezed tape start edited out, Mississippi Half-Step is complete.
Gain increased gradually from s1t0 5:30 to beginning of set.
Cut at start of Deal eased with quick fade in.
Partial El Paso begins in last verse with kneels by her side
Drop out in dead air before Sugaree removed and crossfaded. 
Reel change cut in Sugaree @ s1t07 8:29.
A bad connection in the equipment can be heard buzzing towards the end of Estimated Prophet @ s2t03 3:34 to s2t03 3:39. 
Static and some distortion occur following this into He's Gone. 
Reel change cut in Truckin @ s2t06 3:55. 
Drop out removed during crowd encore call before Uncle Johns Band edited with crossfade.
This recording is not in true stereo.
Left channel was increased in gain by 0.9 before mastering with L3.
No Noise reduction or EQ adjustments were used.
