Grateful Dead
Madison Square Garden
New York City, NY
September 10, 1991

DVD-Audio 24/48 
SBD+AUD Matrix Mix (65%-SBD/35%-AUD)  

Set 1 

01 [03.01] Crowd & Tuning  
02 [13.47] Shakedown Street >  
03 [05.45] C.C. Rider >   
04 [06.33] Lot To Laugh/Train To Cry 
05 [07.09] Black Throated Wind 
06 [09.09] High Time 
07 [08.26] Cassidy 
08 [09.25] Deal
TT [63.19] 

Set 2 

01 [01.47] Crowd & Tuning
02 [04.10] Help On The Way > 
03 [07.01] Slipknot > 
04 [10.18] Franklin's Tower
05 [12.41] Estimated Prophet > 
06 [12.43] Dark Star > 
07 [10.39] Drums > 
08 [01.59] Jam >
09 [02.30] Dark Star > 
10 [09.21] Space > 
11 [05.04] I Need A Miracle >  
12 [09.04] Standing On the Moon >
13 [09.20] Lovelight
  Encore: 
14 [07.05] Baby Blue 
TT [01:43.52]   

Branford Marsalis on saxophone throughout

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Source Info

SBD (shnID = 89085)
SBD Dat(2) stored on Ampex 467 DAT Tape  
Transfer:  DAT from the collection of Todd Evans
DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif 
innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 
Transferred 12/09/07
Editing:    All editing and mastering by Jamie Waddell     
A **GEMS** Production  www.shnflac.net  

AUD (shnID = 96422)
Recorded By: James Young and Clay Brennecke - clayb@fobdfc.com
Lineage: Master DAT > B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > 
Modified Sony TCD D-10 Pro  
Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008
Editing: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither
Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8
Tag & Rename for FLAC Meta-Tagging.
A **GEMS** Production  www.shnflac.net 


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Special Thanks

Many thanks to James Young and Clay Brennecke for their wonderful
recording.  And HUGE thanks to both Jamie Waddell and Todd Evens for 
making this project possible with their amazing work on their pristine
transfers and excellent editing/mastering.  I am simply a cog in the 
wheel and lucky has hell to work with such incredible source material.  
It is the guys listed above that deserve the bulk of the credit.  So 
a big THANK YOU!

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Notes on the Source Material
 
SBD
This is another strange 1991 SBD.  Let me explain.  Quite 
a few digital SBD's for the 1991 year are in circulation.  
I am sure some of you have noticed a sorta strange sound 
quality to them.  What makes them sound they way they do 
is unknown to me.  I'd call them too digital.  They tip-
toe along the edge of blurry.  If I had to guess I would 
think a portable DAT deck was being fed an analog signal 
into the line in.  And although the levels were set 
appropriately the deck was overloaded by 'too hot' a feed 
from the SBD.  
 
AUD
Nice and well balanced FOB.  This upfront FOB grabs quite a bit 
of the sound but not as much atmosphere as you'd like for making
a matrix mix. However, this does help the sterile, straight SBD 
out quite a bit.  While it doesn't completely fix the strange 
"digitally" sound of the SBD it does help quite a bit.

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Tech Notes

Jamie Waddell sent me the 16/48 waves files as one long track
for both the SBD and the AUD.  CEP2.0 was used to align & synch 
both sources (time compress and expand). CEP2.0 was used to 
perform the multitrack mixdown at 24/48. Wave L3 was used for 
minor limiting (-0.7 threshold), and no EQ was used on the two 
primary sources.  This is a 60% SBD, 40% AUD mix.
- Mixed by dan@am-dig.com
- FLAC conversion 18-MAR-2000 
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear, slim 7mm double DVD case.

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Multitrack Mixdown Settings
				
Stereo Matrix  

SET ONE		
SBD -2	
AUD -2						

SET TWO		
SBD -2	
AUD -2.5

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Notes

d1t06 "High Time" - 2 small digi snits have been fixed

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About the 24/48 

This represents the 24 bit files that are the result of all the 
editing, mastering, digital sound processing and the multitrack 
mixdown preserved in 24 bit. It is unclear exactly what we have 
in the way of high resolution. However what we have here 
would not be represented accurately in 16/44. What you are getting 
is the full result of the matrix mix process. How much different 
does this sound? is this better? A little and yes. This is more 
accurate and has more dynamic range.  24/48 resolution versus a 
16/44 of the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in mind, 
this 24 bit copy is no different.  Small but important gains over 
the same material in 16/44.  This is just one man's take.  Take 
it or leave it.

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Lineup

Jerry Garcia (guitar, vocals)
Bob Weir (guitar, vocals)
Phil Lesh (bass)
Vince Welnick (keyboards, vocals)
Bruce Hornsby (grand piano, according, vocals)
Mickey Hart (drums, percussions)
Bill Kreutzmann (drums, percussions)

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Additional Formats

This show is available in the following formats:

1. The SBD and AUD sources listed above at 16/44 
2. The AUD sources listed above at 16/48
3. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44 
4. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44 
5. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48
6. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48) 
